"Consort Set No. 10 for Six Viols: Fantazia, VdGS 98" by William Lawes, Ricercar Consort, Philippe Pierlot had its release date on November 22, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 19 in Distracted Tymes by Ricercar Consort, Philippe Pierlot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Consort Set No. 10 for Six Viols: Fantazia, VdGS 98 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Consort Set No. 10 for Six Viols: Fantazia, VdGS 98 by William Lawes, Ricercar Consort, Philippe Pierlot is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cantiones sacrae: No. 1: Herr, wie lang wiltu mein sogar vergessen, SSWV 1 | Samuel Scheidt, Lautten Compagney | G Major | 1 | 9B | 93 BPM | ||
| Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes] | Dietrich Buxtehude, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Ricercar Consort, Matthias Vieweg | D♭ Major | 3 | 3B | 114 BPM | ||
| 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
| Ancor che col patire | Richardo Rogniono, Manon Papasergio, Yoann Moulin | F Major | 1 | 7B | 76 BPM | ||
| Harmonia Artificioso Ariosa, Partia IV in Eb Major: I. Sonata [1] | Heinrich Ignaz Franz von Biber, La Tempesta, Patrick Bismuth, Hélène Houzel | A Minor | 2 | 8A | 83 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Galliard (no.21) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | B Major | 0 | 1B | 134 BPM | ||
| Lawes: Consort Set No. 10 for 6 Viols in C Minor, VdGS 97-100: II. Fantazia | William Lawes, Fretwork | C Minor | 1 | 5A | 79 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VIII. Sarabande | Dietrich Becker, La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner | D♭ Major | 0 | 3B | 108 BPM | ||
| Lawes: Consort Set No. 5 for 5 Viols in C Major, VdGS 81-83: II. Pavan | William Lawes, Fretwork | G Major | 0 | 9B | 118 BPM | ||
| The Gordion Knot Unty'd, Z. 597: Second Music II: Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 49 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Ouverture in E Minor: VII. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 98 BPM | ||
| Lawes: Humour, for 3 Lyra Viols, VdGS No. 568 | William Lawes, Fretwork | E♭ Major | 0 | 5B | 86 BPM | ||
| Suite in A Minor: III. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | B♭ Minor | 1 | 3A | 85 BPM | ||
| Suite in G Minor: II. Courante | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | ||
| Terpsichore, Musarum Aoniarum: Passamezze | Pierre Francisque Caroubel, Chelys Consort of Viols, James Akers | B Major | 1 | 1B | 139 BPM | ||
| Sonata in D-Dur, BuxWV 267: Sonata in D-Dur, BuxWV 267: II. Allegro | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Emily Audouin, Benjamin Perrot | D♭ Major | 2 | 3B | 101 BPM | ||
| Laudate pueri Dominum, RV 600: Excelsus super omnes gentes | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | D♭ Minor | 0 | 12A | 99 BPM | ||
| Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Concerto grosso No. 2 in G Major: I. Largo (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F♯ Major | 1 | 2B | 87 BPM | ||
| Intermedes de Xerxes: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 98 BPM | ||
| Violin Sonata in B-flat Major, Op. 5 No. 2: I. Grave | Arcangelo Corelli, Enrico Onofri | A♭ Major | 0 | 4B | 32 BPM | ||
| Pièces de Viole avec la Basse Continue, Suite en do mineur: La Montigni | Antoine Forqueray, Johanna Rose, Javier Nuñez | A Major | 2 | 11B | 111 BPM | ||
| Suite for Lute No. 23 in A Minor, Smith 29 "L'Infidèle": VI. Paysanne | Silvius Leopold Weiss, Toyohiko Satoh | B Major | 2 | 1B | 81 BPM |