On November 10, 2019, the song "Zale Shree Samarth Darshan" was released by Mahendra Warekar, Ravindra Sathe. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "Swami Samarth Bhaktigeete". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. The popularity of Zale Shree Samarth Darshan is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Zale Shree Samarth Darshan by Mahendra Warekar, Ravindra Sathe having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swami Maruthi | Sri Ganapathy Sachchidananda Swamiji | F Major | 4 | 7B | 79 BPM | ||
| Anant Koti Brahmandnayak | Sachidanand Appa | G Major | 5 | 9B | 82 BPM | ||
| Tujhe Dakya Karu | Baba Maharaj Satarkar | B♭ Major | 7 | 6B | 75 BPM | ||
| Hari Stotram | Mangesh Borgaonkar | E♭ Major | 4 | 5B | 114 BPM | ||
| Utha Jage Vha Re Aata | Baba Maharaj Satarkar | F♯ Minor | 7 | 11A | 80 BPM | ||
| Jay Deva Ganesha Namo | Upasak - Manoj Tamhankar, Rahul Deshpande | A Minor | 5 | 8A | 110 BPM | ||
| Sri Ramakrishna Pronam Mantra - Version, 1 | Mahesh Ranjan Shome | D Major | 2 | 10B | 124 BPM | ||
| Sakha Majha Dnyaneshwar | Vishnubuva Wavanjekar | A♭ Minor | 6 | 1A | 82 BPM | ||
| Sarada Stotro | Narendrapur University Artist, Atanu Sanyal | F♯ Major | 2 | 2B | 96 BPM | ||
| Shri Rudrashtakam | Naynesh Jani | F Minor | 7 | 4A | 135 BPM | ||
| Vandan Tujla Lambodara | Sachidanand Aappa | F♯ Major | 5 | 2B | 175 BPM | ||
| Kanakdhara Stotra | Sohini Mishra | B♭ Major | 5 | 6B | 118 BPM | ||
| Kolkata Kebol Bhule Bhora | Ramkumar Chattopadhyay | C Minor | 4 | 5A | 78 BPM | ||
| San Gauri Ganpaticha | Neha Rajpal, Sachidanand Aappa | G Major | 7 | 9B | 105 BPM | ||
| Jau Chala Ra Shirdila | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Sainatha Sainatha Darshan De Tu Aata | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Anandamoyee Uma | Padma Palash | D♭ Minor | 4 | 12A | 140 BPM | ||
| Shambho Shivshankar Gaay | Bhagwan Lokre, Shridhar Mungekar | D♭ Major | 4 | 3B | 150 BPM | ||
| Duttachi Aarti | Pradnya Annam | B♭ Major | 7 | 6B | 170 BPM | ||
| Datta Pathirakha | Mugdha Vaishampayan, Prathamesh Laghate | F Major | 4 | 7B | 124 BPM | ||
| Hare Krishna 1 - Original | Debjit, Bitu Samajpati, NA | C Major | 5 | 8B | 119 BPM | ||
| Owala Majhya Sadguru Raya | Ajeet Kumar Kadkade | D♭ Major | 6 | 3B | 171 BPM | ||
| Naam Sagun Samarth V-2 | Mandar Apte | G Minor | 4 | 6A | 135 BPM | ||
| Durgechi Aarti | Yeshwant Kothambikar | A♭ Major | 6 | 4B | 145 BPM | ||
| Gauri Gauri Gange | Yogi Hari | D♭ Major | 5 | 3B | 172 BPM |