"Sri Ramakrishna Pronam Mantra - Version, 1" by Mahesh Ranjan Shome had its release date on April 1, 1987. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Sri Ramakrishna Bhajan". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Based on our statistics, Sri Ramakrishna Pronam Mantra - Version, 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sri Ramakrishna Pronam Mantra - Version, 1 by Mahesh Ranjan Shome having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hare Krishna Vol 2 Part 4 - Original | Bitu Samajpati, NA | D♭ Major | 5 | 3B | 104 BPM | ||
| Soto Naame Koto Jone | Gurujeet Singh | D♭ Major | 8 | 3B | 92 BPM | ||
| Jay Sree Krishna Chaitannya | Apily Dutta Bhowmick | B♭ Major | 4 | 6B | 80 BPM | ||
| Joy Radhe Radhe Krishna Krishna | Apu Debnath, Aishwarya Saha | F Major | 5 | 7B | 155 BPM | ||
| Sree Sree Ramkrishna Stotram | Narendrapur University Artist, Atanu Sanyal | D Major | 2 | 10B | 177 BPM | ||
| Hari Mon Mojaye | Manabendra Mukherjee | D♭ Major | 3 | 3B | 78 BPM | ||
| Shashan To Bhalobasis | Dhananjay Bhattacharya | C Major | 6 | 8B | 113 BPM | ||
| Mila Vatan ka khula nimantran | Brahma Kumaris | D Major | 3 | 10B | 75 BPM | ||
| Apka pyar Baba yun hi barasata rahe | Brahma Kumaris | C Major | 4 | 8B | 126 BPM | ||
| Ame To Tara | Nidhi Dholakia | B♭ Minor | 4 | 3A | 144 BPM | ||
| Chahey Tomare Sakalo Kaje | Ramakrishna Math, Mahesh Ranjan Shome | A♭ Major | 3 | 4B | 76 BPM | ||
| Bhalobasar Pratik Tumi | Sdipto Sekhar Mishra | F♯ Minor | 4 | 11A | 141 BPM | ||
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| Sharade Varade Maa | Sri Ganapathy Sachchidananda Swamiji | D Major | 5 | 10B | 120 BPM | ||
| Jai Nitai Gourango | Shilpi Das | B Minor | 1 | 10A | 71 BPM | ||
| Amar Maa Twanghi Tara | Indranil Datta | A Major | 7 | 11B | 138 BPM | ||
| Sumvha Badh | Amarnath Bhattacharjee | C Major | 4 | 8B | 89 BPM | ||
| Tui Naki Maa | Gurujeet Singh | F Major | 3 | 7B | 105 BPM | ||
| Vasyo Chhe Chogala Valo | Sadhus of BAPS | B Major | 5 | 1B | 120 BPM | ||
| Tomar Ek Naamete | Anup Ghoshal | D♭ Minor | 2 | 12A | 119 BPM | ||
| Yamunaji Ni Stuti | Tushar Jetli, Gourav Druv | C Minor | 6 | 5A | 168 BPM | ||
| Aami Ayak Rickshawala | Waliur Rahman | A♭ Major | 6 | 4B | 128 BPM | ||
| Ami Chilam Putra Jamidar | Gostho Gopal Das | E Major | 2 | 12B | 109 BPM | ||
| Sri Ramakrishna Maa Sarada | Anup Ghoshal | E♭ Minor | 7 | 2A | 150 BPM | ||
| Din Jai Phuraiya | Gostho Gopal Das | E Major | 2 | 12B | 109 BPM |