Anup Ghoshal's ' "Sri Ramakrishna Maa Sarada" was released on its scheduled release date, April 1, 2001. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Sarada Maa". In this album, this song's track order is #9. Furthermore, we believe that the track originated from India. Based on our statistics, Sri Ramakrishna Maa Sarada's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sri Ramakrishna Maa Sarada by Anup Ghoshal having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jani Tumi Phire Aasibe Abar | Chinmoy Chatterjee | F Minor | 2 | 4A | 143 BPM | ||
| Ki Bole Daki Tore Ma | Dhananjay Bhattacharya | F Major | 3 | 7B | 79 BPM | ||
| Ke Tomay Koreche | Kumar Sanu | B♭ Minor | 4 | 3A | 90 BPM | ||
| Amar Kalo Meyer Payer Talay | Pannalal Bhattacharya | E♭ Minor | 3 | 2A | 85 BPM | ||
| Emon Anek Kathai Bol Tumi | Satinath Mukherjee | E♭ Major | 3 | 5B | 101 BPM | ||
| Tomar Samadhi Phule Phule Dhaka - Antaral | Salil Mitra | F Major | 2 | 7B | 121 BPM | ||
| Dekho Gorbito Bir | Anup Ghoshal | D♭ Major | 2 | 3B | 67 BPM | ||
| Tore Na Dekhe | Bari Siddiqui | E♭ Minor | 7 | 2A | 107 BPM | ||
| Durga Durgotihora | Sreshthangsu Dutta | C Major | 6 | 8B | 162 BPM | ||
| Hari Mon Mojaye | Manabendra Mukherjee | D♭ Major | 3 | 3B | 78 BPM | ||
| Dujone Dekha Holo | Mounita, Srijan Chatterjee | D♭ Major | 4 | 3B | 120 BPM | ||
| Na Na Na Pakhitar Buke | Mohd. Rafi | G Major | 5 | 9B | 94 BPM | ||
| Madhur Amar Mayer Hasi | Anup Ghoshal | B Minor | 2 | 10A | 149 BPM | ||
| Chena Chena Mukhta Tomar | Subir Sen | B Minor | 6 | 10A | 125 BPM | ||
| Tomay Gaan Shonabo | Chinmoy Chatterjee | B♭ Minor | 2 | 3A | 101 BPM | ||
| Aami Tomar Sange Bendhechhi | Rezwana Choudhury Bannya | D Major | 2 | 10B | 137 BPM | ||
| Otho Go Bharat Lakhi | Antara Chowdhury, Various Child | E Minor | 4 | 9A | 136 BPM | ||
| PYARA PYARA SHYAM JI | Saurabh Aggarwal, Vishesh Bhanderi | A♭ Major | 8 | 4B | 95 BPM | ||
| Aar Bujhite Pari Na | Arundhati Holme Chowdhury, Salil Chowdhury | B♭ Major | 3 | 6B | 131 BPM | ||
| Bhalobashar Moto Bhalobasle | Jasoda Sarkar | G Minor | 8 | 6A | 97 BPM | ||
| Premer Khela | Sapan Chakraborty, Kishore Kumar | F♯ Major | 4 | 2B | 132 BPM | ||
| Amar Maa Twanghi Tara | Indranil Datta | A Major | 7 | 11B | 138 BPM | ||
| Bhola Mon Moner Katha | Shyamal Mitra | F♯ Major | 3 | 2B | 109 BPM | ||
| Sarada Ramakrishna Namer | Mahesh Ranjan Shome | G Major | 5 | 9B | 140 BPM | ||
| Bagichay Bulbuli Tui | Manabendra Mukherjee | E Minor | 7 | 9A | 107 BPM |