Mahesh Ranjan Shome's ' "Sarada Ramakrishna Namer" was released on its scheduled release date, April 1, 1987. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Sri Ramakrishna Bhajan". In this album, this song's track order is #9. Furthermore, we believe that the track originated from India. Based on our statistics, Sarada Ramakrishna Namer's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sarada Ramakrishna Namer by Mahesh Ranjan Shome having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kandari Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| Tumi Prothom | Andrew Kishor | B♭ Major | 6 | 6B | 154 BPM | ||
| Oi Ranga Ranga Duti Paye | Amrik Singh Arora | B♭ Minor | 5 | 3A | 148 BPM | ||
| Sabar Hridaye Rabindranath | Bhupen Hazarika | B Minor | 4 | 10A | 152 BPM | ||
| Humne dekha hamne paya | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| O ma tor aanchal diye | Parikshit Bala | F♯ Minor | 6 | 11A | 144 BPM | ||
| Khoto Bikkhoto Kore Dao Amake | Monir Khan | C Major | 7 | 8B | 81 BPM | ||
| Hare Krishna Vol 6 Part 1 | Bitu Samajpati | A Major | 6 | 11B | 117 BPM | ||
| Shopne Dekha Shai Rajkonar | Mohammed Aziz | B Major | 6 | 1B | 117 BPM | ||
| Brajo Gopi Khele Hori | Mohammed Rafi | D♭ Minor | 6 | 12A | 90 BPM | ||
| Sri Ramakrishna Pronam Mantra - Version, 1 | Mahesh Ranjan Shome | D Major | 2 | 10B | 124 BPM | ||
| Tar Haate Chhilo | Chinmoy Chatterjee | B♭ Major | 3 | 6B | 122 BPM | ||
| Bibekananda Stotro | Narendrapur University Artist, Atanu Sanyal | F♯ Major | 2 | 2B | 96 BPM | ||
| Jagore Nogorbashi | Apily Dutta Bhowmick | E♭ Major | 6 | 5B | 116 BPM | ||
| Podaboli Kirtan (Holi Leela) | Aditi Munshi | B Major | 4 | 1B | 93 BPM | ||
| Pitu Mat Sahayak Swami | Jimi Nathu | E♭ Major | 6 | 5B | 139 BPM | ||
| Na Na Na Pakhitar Buke | Mohd. Rafi | G Major | 5 | 9B | 94 BPM | ||
| Bolbo na Ar Premer kotha | Sukumar Baul | D♭ Minor | 5 | 12A | 148 BPM | ||
| Rodono Bhora E Bosonto | Srabani Sen | A♭ Major | 4 | 4B | 146 BPM | ||
| Pashaner Bhangaley Ghoom | Mohammed Rafi | A♭ Major | 4 | 4B | 138 BPM | ||
| Khelaghar Bandhte Legechi | Indrani Sen | B♭ Major | 5 | 6B | 174 BPM | ||
| Gaanguli Mor | Malabika Mukherjee, Satinath Mukherjee | B♭ Minor | 5 | 3A | 101 BPM | ||
| Dekhbi Chal Putul Nach | Gostho Gopal Das | E Major | 6 | 12B | 159 BPM | ||
| Doroder Bondhu | Monir Khan | G Minor | 7 | 6A | 81 BPM | ||
| Mitha Hoyeche Jokhon | Andrew Kishore, Kanak Chapa | F♯ Major | 7 | 2B | 152 BPM |