Lata Mangeshkar's ' "Main Tumhi Se Poochhti Hoon" was released on its scheduled release date, January 1, 1959. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 6 in Black Cat by N. Dutta, Jan Nisar Akhtar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Main Tumhi Se Poochhti Hoon is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Main Tumhi Se Poochhti Hoon by Lata Mangeshkar is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saphal Hogi Teri Aradhana | S. D. Burman | F Major | 2 | 7B | 111 BPM | ||
| Faza Bhi Hai Jawan - Ii | Salma Agha | A♭ Major | 4 | 4B | 145 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Tera Naam Liya | Manhar Udhas, Anuradha Paudwal, Laxmikant–Pyarelal | F Minor | 8 | 4A | 131 BPM | ||
| Ek Do Teen Char | Amit Kumar | E♭ Minor | 8 | 2A | 65 BPM | ||
| Jeena Nahi | Amit Kumar, Anuradha Paudwal | B♭ Minor | 6 | 3A | 103 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Commentry Tabassum And Aaiye Meharban - Howrah Bridge | Tabassum, Asha Bhosle, O. P. Nayyar | C Major | 5 | 8B | 119 BPM | ||
| Meri Yaad Mein Tum Na Ansoo Bahana | Talat Mahmood | G Minor | 3 | 6A | 142 BPM | ||
| Jo Wada Kiya Woh Nibhana Padega - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi, Lata Mangeshkar | D♭ Major | 8 | 3B | 78 BPM | ||
| Meri Sanson Mein | Udit Narayan, Javed Akhtar | C Major | 4 | 8B | 82 BPM | ||
| Rang Barse Bheege Chunarwali | Amitabh Bachchan | D Major | 5 | 10B | 120 BPM | ||
| Pyar Kar | Uttam Singh, Lata Mangeshkar, Udit Narayan, Anand Bakshi | G Minor | 5 | 6A | 88 BPM | ||
| Aayee Zanjeer Ki Jhankar, Pt.2 | Kabban Mirza, Jan Nisar Akhtar | E♭ Major | 7 | 5B | 92 BPM | ||
| Bade Achhe Lagte Hain | Amit Kumar | F♯ Major | 2 | 2B | 140 BPM | ||
| Dil Hai Ki Manta Nahin (From "Dil Hai Ke Manta Nahin") | Anuradha Paudwal, Kumar Sanu | A♭ Major | 5 | 4B | 118 BPM | ||
| Pal Pal Dil Ke Paas - From "Blackmail" | Kishore Kumar | E♭ Minor | 7 | 2A | 157 BPM | ||
| Dekho Rootha Na Karo | Mohammed Rafi, Lata Mangeshkar, S. D. Burman | E Major | 4 | 12B | 94 BPM | ||
| Chandan Sa Badan Chanchal Chitwan - Mukesh | Mukesh, Kalyanji-Anandji | B♭ Major | 3 | 6B | 94 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 3 | Hemlata, Ravindra Jain | C Minor | 4 | 5A | 117 BPM | ||
| Kabhi Kabhi Mere Dil Mein(Solo By Mukesh) | Mukesh | E Major | 3 | 12B | 109 BPM | ||
| Tere Liye | Madan Mohan, Lata Mangeshkar, Roop Kumar Rathod, Javed Akhtar | D♭ Minor | 5 | 12A | 98 BPM | ||
| Tadbeer Se Bigdi Huyi Taqdeer | Geeta Dutt | A♭ Minor | 3 | 1A | 123 BPM |