Hemlata, Ravindra Jain's 'Ankhiyon Ke Jharokhon Se - Part 3' had a release date set for July 4, 1978. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 9 in Ankhiyon Ke Jharokhon Se (Original Motion Picture Soundtrack) by Ravindra Jain. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Ankhiyon Ke Jharokhon Se - Part 3 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ankhiyon Ke Jharokhon Se - Part 3 by Hemlata, Ravindra Jain is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saathi Re Saathi (From "Kotwal Saab") | Asha Bhosle, Ravindra Jain | F Major | 3 | 7B | 79 BPM | ||
| Jaiye Aap Kahan Jayenge | Asha Bhosle | E♭ Minor | 6 | 2A | 101 BPM | ||
| Main Na Mangoon Maiya Tose | Hemlata | F Minor | 4 | 4A | 84 BPM | ||
| Yeh Kya Jagah Hai Doston | Asha Bhosle | E♭ Major | 4 | 5B | 101 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| Ankhiyon Ke Jharokhon Se | Hemlata, Ravindra Jain | C Minor | 5 | 5A | 165 BPM | ||
| Tum Agar Mujhko Na Chaho To | Mukesh | E♭ Major | 4 | 5B | 151 BPM | ||
| Sapnon Ka Raja - Chalte Chalte / Soundtrack Version | Sulakshana Pandit, Shailendra Singh | A Minor | 6 | 8A | 156 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Jeevan Se Bhari Teri Ankhen | Kishore Kumar, Kalyanji-Anandji | A♭ Major | 5 | 4B | 99 BPM | ||
| Yeh Duniya Yeh Mehfil (Remix) | Mohammed Rafi, Anurag Abhishek | F Major | 6 | 7B | 136 BPM | ||
| O Mera Babu Chhail Chhabila | Runa Laila | F Minor | 6 | 4A | 105 BPM | ||
| Kabhie Kisi Ko Muqammal Jahan - Ahista Ahista / Soundtrack Version | Bhupinder Singh | A Major | 3 | 11B | 98 BPM | ||
| Agar Tum Na Hote - Female Version | R. D. Burman, Lata Mangeshkar | B Minor | 6 | 10A | 123 BPM | ||
| Woh Kehte Hain Ham Se (From "Dariya Dil") | Nitin Mukesh | B Minor | 7 | 10A | 105 BPM | ||
| Karvaten Badalte Rahe | Kishore Kumar, Lata Mangeshkar, R. D. Burman | B♭ Major | 4 | 6B | 81 BPM | ||
| Music - Hamraaz | Ravi | C Minor | 7 | 5A | 119 BPM | ||
| Ae Ri Pawan, Pt. 1 | Lata Mangeshkar, Anand Bakshi | A Major | 6 | 11B | 88 BPM | ||
| Thehriye Hosh Mein Aa Loon | Suman Kalyanpur, Mohammed Rafi | B♭ Minor | 2 | 3A | 116 BPM | ||
| Aayee Zanjeer Ki Jhankar, Pt.1 | Kabban Mirza, Jan Nisar Akhtar | E♭ Major | 5 | 5B | 91 BPM | ||
| Banno Teri Ankhiyan Soorme | Sapna Awasthi | A Major | 4 | 11B | 92 BPM | ||
| Aajkal Tere Mere Pyar Ke Charche | Suman Kalyanpur, Mohammed Rafi | A Major | 8 | 11B | 99 BPM | ||
| Ram Bhakt Le Chala Re Ram Ki Nishaani | Ravindra Jain | D Minor | 5 | 7A | 80 BPM | ||
| Jo Tumko Ho Pasand Wohi Baat Kahenge | Mukesh | B Minor | 5 | 10A | 114 BPM | ||
| Chandni Aai Ban Ke Pyar | Shamshad Begum, Shakeel Badayuni | D Major | 4 | 10B | 88 BPM |