Diana and Actaeon: Pas de deux (Arr. March) by Riccardo Drigo, English Chamber Orchestra, Richard Bonynge Song Details

"Diana and Actaeon: Pas de deux (Arr. March)" by Riccardo Drigo, English Chamber Orchestra, Richard Bonynge had its release date on August 22, 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 10 in Ballet Gala by Richard Bonynge, Ludwig Minkus, English Chamber Orchestra, Cesare Pugni, Jacques Offenbach, Riccardo Drigo, Daniel Auber, Domenico Scarlatti, Ambroise Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Diana and Actaeon: Pas de deux (Arr. March) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Diana and Actaeon: Pas de deux (Arr. March) by Riccardo Drigo, English Chamber Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

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Popularity: 15%
Loudness: -15.832 dB
Acousticness: 92%
Danceability: 30%
Energy: 18%
Instrumentalness: 86%
Liveness: 21%
Loudness: 74%
Speechiness: 4%
Valence: 13%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Act II. Waltz, Odetta's variations, the Dance of the small swans	Moscow New Philharmonic Orchestra, Vladimir Ponkin	A Major	0	11B	181 BPM
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Giselle, Act 2: No. 11 Myrtha’s First Variation, Myrtha summons the Wilis	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	E♭ Major	1	5B	88 BPM
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Gayaneh, Ballet Suite: Gayaneh's Adagio	Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov	A Major	1	11B	105 BPM
Holberg Suite, Op. 40: III. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	E♭ Major	1	5B	128 BPM
La Bella Durmiente Vals	Orquestra Sinfonica De Radio Praga	E♭ Major	1	5B	60 BPM
Ballet Suite No. 1: IV. Polka (Arr. L. Atovmyan for orchestra)	Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey	C Major	2	8B	114 BPM
Ancient Airs And Dances - III. Siciliana	Ottorino Respighi, Raymond Dessaints, Ensemble Amati	C Minor	0	5A	105 BPM
Le Corsaire: Pas de Trois - Adagio	Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland	A♭ Major	0	4B	95 BPM
Pizzicato Polka	Johann Strauss II, Josef Strauss, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	1	6B	180 BPM
Voices of Spring, Op. 410	Johann Strauss II, Leonard Bernstein	B♭ Major	2	6B	110 BPM
Don Quichotte, Acte I : Variation : Basilio. Variation : Kitri.	Orchestre de l'Opéra de Sofia	B Minor	2	10A	130 BPM
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16e, Pas de deux de Fanny Elssler. Coda	Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth	F Major	3	7B	151 BPM
Swan Lake, Op. 20 (Mariinsky Version), Act II: No. 19a, Pas de deux: Coda. Allegro molto vivace	Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev	D Major	6	10B	79 BPM
Giselle, Peasant pas de deux, Act I: Coda (Arr. March)	Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov	B♭ Major	3	6B	137 BPM
Le Corsaire: Pas de Trois - Conrad Variation	Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland	E♭ Major	1	5B	175 BPM
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace	Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra	D Minor	3	7A	179 BPM
Danse Bacchanale	Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl	D Major	2	10B	132 BPM
Giselle, Act 2: No. 21 Myrtha commands Albrecht to dance till he dies	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	E♭ Major	1	5B	88 BPM
The Birds, P. 154: V. The Cuckoo (Il cuccù)	Ottorino Respighi, Orpheus Chamber Orchestra	A Major	0	11B	118 BPM