"Enigma (Excerpts): No. 3, —" by Beat Furrer, SWR Vokalensemble Stuttgart, Yuval Weinberg had its release date on February 10, 2023. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Enigma (Excerpts): No. 3, —'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 3 in Beat Furrer: Enigma (Excerpts) by Beat Furrer, SWR Vokalensemble Stuttgart, Yuval Weinberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Enigma (Excerpts): No. 3, —'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma (Excerpts): No. 3, — by Beat Furrer, SWR Vokalensemble Stuttgart, Yuval Weinberg is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Luci mie traditrici - Opera in due atti (1996-1998): Atto II: Intermezzo II | Salvatore Sciarrino, Klangforum Wien, Beat Furrer | C Minor | 0 | 5A | 101 BPM | ||
| Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM | ||
| Streichquartett No. 3 (2004): (Takte 235-360) | Beat Furrer, KNM Berlin, Steffen Tast, Angela Jaffé, Kirstin Maria Pientka, Ringela Riemke | F Minor | 0 | 4A | 101 BPM | ||
| Four Walls Act 1 Scene II | John Cage, Margaret Leng Tan, Joan La Barbara | B Major | 9 | 1B | 134 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | D♭ Major | 0 | 3B | 84 BPM | ||
| Retour an Dich III | Beat Furrer, Klangforum Wien | D♭ Minor | 0 | 12A | 133 BPM | ||
| Rothko Chapel 2 | Morton Feldman | B Minor | 0 | 10A | 141 BPM | ||
| Enigma IV | Beat Furrer, Helsinki Chamber Choir, Nils Schweckendiek | E♭ Major | 1 | 5B | 76 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | B♭ Minor | 0 | 3A | 92 BPM | ||
| Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | ||
| Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | D Minor | 4 | 7A | 101 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l’Ange qui annonce la fin du Temps | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | B♭ Minor | 0 | 3A | 92 BPM | ||
| Biber: Frosch (The Frog) | Heinrich Ignaz Franz von Biber, Christina Pluhar, L'Arpeggiata, Margherita Pupulin | F Major | 1 | 7B | 88 BPM | ||
| poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM | ||
| Lied | Beat Furrer, Maximilian Haft, Samuel Fried | E Major | 1 | 12B | 115 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | ||
| O Mors Inevitabilis | Hieronymus Vinders, Graindelavoix, Björn Schmelzer | E Major | 2 | 12B | 142 BPM | ||
| FAMA (2004/05) Hörtheater für großes Ensemble, acht Stimmen, Schauspielerin und Klanggebäude: VI. Szene (Erzählerin und Kontrabassflöte) | Beat Furrer, Isabelle Menke, Eva Furrer | D♭ Major | 0 | 3B | 105 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | B♭ Minor | 0 | 3A | 92 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | B♭ Minor | 0 | 3A | 92 BPM | ||
| Requiem, Op. 9: VIII. Libera me | Maurice Duruflé, Florian Störtz, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | G Minor | 1 | 6A | 75 BPM | ||
| Liturgical Chants: O Holy God | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 0 | 3B | 179 BPM | ||
| 7 Haikus: II. Assai mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM |