Traditional, Paul Robeson, Lawrence Brown's ' "Sometimes I Feel Like a Motherless Child - 2024 Remastered Version" was released on its scheduled release date, 1971. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Sometimes I Feel Like a Motherless Child - 2024 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paul Robeson Live in New York 1958 - 2024 Remastered Version". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Based on our statistics, Sometimes I Feel Like a Motherless Child - 2024 Remastered Version's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sometimes I Feel Like a Motherless Child - 2024 Remastered Version by Traditional, Paul Robeson, Lawrence Brown having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ave Maria | Josquin des Prez, Voices of Ascension Chorus, Dennis Keene | C Major | 1 | 8B | 136 BPM | ||
| To Dionysus | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Byzantine Liturgy: Dostoino est (It is worthy), For male choir | Traditional, Chamber Choir, Lege Artis | A Major | 1 | 11B | 130 BPM | ||
| Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
| Traditional Slavic Christmas Music | Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | A Minor | 0 | 8A | 78 BPM | ||
| Silent, Surrendered | Margaret Rizza, Kevin Mayhew Ltd | D Major | 1 | 10B | 112 BPM | ||
| The Day Thou Gavest Lord Is Ended | The Scottish Festival Singers | A♭ Major | 2 | 4B | 81 BPM | ||
| MAGNIFICAT: VI. Suscepit Israel | Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Cecilie Ertzaas Overrein, Maria Næss | B♭ Major | 1 | 6B | 72 BPM | ||
| O sacred head sore wounded | Johann Sebastian Bach, Cathedral Choral Society, Nicholas White, Gisele Becker | C Major | 1 | 8B | 167 BPM | ||
| Abschied | Joël von Moos, Daria Occhini, Eberhard Rex, Luzerner Kantorei | E Major | 2 | 12B | 71 BPM | ||
| Our Song - Arr. Dan Walker | Kate Miller-Heidke, Keir Nuttall, Gondwana Voices, Lyn Williams | G Minor | 1 | 6A | 80 BPM | ||
| Chant for Instruments | Margaret Rizza, Kevin Mayhew Ltd | E Minor | 2 | 9A | 81 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
| Widor: Toccata (from Symphony No. 5) | Charles-Marie Widor, David Poulter | F Major | 2 | 7B | 119 BPM | ||
| Light of a Clear Blue Morning (Live) | Bel Canto Choir Vilnius, Agnė Aleksejevaitė | C Minor | 1 | 5A | 132 BPM | ||
| Suo Gan | Siobhan Owen | G Major | 2 | 9B | 62 BPM | ||
| The Eternal Rose (An Rós Síoraí) | Teena Lyle, Apollo5 | F Minor | 1 | 4A | 88 BPM | ||
| Winter Meditation (after The Four Seasons, Violin Concerto, RV 297: II. Largo) | Antonio Vivaldi, Eldbjørg Hemsing, Hestia String Quartet | E♭ Major | 3 | 5B | 174 BPM | ||
| Agnus Dei | Samuel Barber, Seán Matthew Deibler, Choral Arts Society of Philadelphia, The Music Group of Philadelphia | B Major | 2 | 1B | 72 BPM | ||
| Canticum Beatum | The Schola Cantorum of St. John XXIII Parish, Cantos Gregorianos, Monges da Abadia de Notre Dame | D Minor | 0 | 7A | 82 BPM | ||
| In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
| Mother Of God, Here I Stand | John Tavener, Choir of Merton College, Oxford, Benjamin Nicholas | F Major | 1 | 7B | 68 BPM | ||
| Advent Song | Adam Václav Michna z Otradovic, Symposium Musicum, Gutta musicae, Svatopluk Jányš | B♭ Major | 1 | 6B | 102 BPM | ||
| Chant for No One | Night Monastery | E♭ Minor | 1 | 2A | 86 BPM |