On January 4, 2001, the song "Umrao" was released by Seema Mishra. This song appears to be safe for all ages as it is not explicit. The track order of this song in Seema Mishra's "Kurjan (Rajasthani Virah Songs)" album is number 3 out of 4. On top of that, India appears to be the country where this track was created. Based on our statistics, Umrao's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Umrao by Seema Mishra to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chhoti Si Umar Parnai | Dipalee Somaiya Date | B Minor | 9 | 10A | 130 BPM | ||
| Khodiyar Maa Aarti | Khodaldham Dediyasan | G Minor | 10 | 6A | 155 BPM | ||
| Vijali Ne Chamkare Motida Parovo Re Panbai | Lalita Ghodadra | B♭ Major | 7 | 6B | 101 BPM | ||
| Duha Chand | Atul Purohit, Himali, Smita Shah | A♭ Major | 6 | 4B | 75 BPM | ||
| Panido Bharan Me To Jad Jyaaon | Sanjay Bhagi, Seema Mishra | G Major | 5 | 9B | 124 BPM | ||
| Saanvar - Saanvar Suratiya Tohar Dulha (Baraat) | Sharda Sinha | D♭ Major | 6 | 3B | 146 BPM | ||
| Thari Jay Ho Pawan Kumar Bajrang Balaji | Shyam Paliwal | F Minor | 9 | 4A | 100 BPM | ||
| Aptan Lagi Rahi | Sharda Sinha | D♭ Major | 9 | 3B | 134 BPM | ||
| Maai Ke Mandir Mann Bhawan Laagela | Pawan Singh | D♭ Minor | 9 | 12A | 91 BPM | ||
| Naina Neecha Kar Le | Seema Mishra, Badri Vyas | E Major | 5 | 12B | 79 BPM | ||
| Banna Thane Pahli Baar Jad Dekhiya | Pyarelal Chouhan, Twinkle Vaishnav | G Major | 8 | 9B | 150 BPM | ||
| Mohan Khele Hori Ho | Pawan Singh | B♭ Major | 8 | 6B | 90 BPM | ||
| Baba Ramdevji Prachin Aarti | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM | ||
| Mara Sanvariya Ke Note Ganera Thoda Thoda Sab Ne Bate Re | Balkishan Prajapat, Sarita Parjapat | F Minor | 8 | 4A | 144 BPM | ||
| Bagan Bole Koyali | Gaurav Jain, Seema Mishra | G Major | 5 | 9B | 172 BPM | ||
| Tohra La Kehu Jiyela | Karina Pandey | F♯ Major | 7 | 2B | 137 BPM | ||
| Pyara Lago Bhabhi Ne Devar Ladla Ji Raaj | Rajiv Butolia, Seema Mishra | F♯ Minor | 5 | 11A | 85 BPM | ||
| Bhai Sonera | Sanu Khan | B♭ Major | 8 | 6B | 114 BPM | ||
| Ghoomer Ko Lahenge - Live | Shobha Vyas, Pukhraj Purohit, Shamim Banu, Nashim Khan, Suvarnlata Vyas, Pushpa Trike | E♭ Minor | 5 | 2A | 78 BPM | ||
| Sone Ro Bajotiyo | Shailja Vyas, Chiterlikha, Bindiya | E Minor | 8 | 9A | 142 BPM | ||
| Main To Mela Mein Ja Aai Re | Rekha Rao, Parmeshwar Premi | A♭ Major | 9 | 4B | 152 BPM | ||
| Mayra | Rini Chandra | D♭ Minor | 5 | 12A | 170 BPM | ||
| Baisa | Sikandar Khan | D♭ Major | 8 | 3B | 100 BPM | ||
| Samdariyo | Kesariya Rajasthan | A Major | 3 | 11B | 168 BPM | ||
| Papaiya | Seema Mishra, Sanjay Raizada | F♯ Major | 5 | 2B | 122 BPM |