Sharda Sinha's ' "Aptan Lagi Rahi" was released on its scheduled release date, February 21, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Dulhin by Sharda Sinha. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Aptan Lagi Rahi's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aptan Lagi Rahi by Sharda Sinha is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saanwar - Sawar Suratiya Tohaar Dulha | Sharda Sinha | A Major | 5 | 11B | 96 BPM | ||
| Sakhi Hey Rase Rase Pahun Chalai Chhi | Kunj Bihari Mishr | B♭ Minor | 6 | 3A | 139 BPM | ||
| Jhini Jhini Odhni Me Baras Gyi | Seema Mishra, Mukesh Bagda | A♭ Major | 5 | 4B | 86 BPM | ||
| O Papi man kar le bhajan | Aniruddhacharya Ji Maharaj | B Major | 7 | 1B | 102 BPM | ||
| Nirdhan Ke Rog Jani | Pawan Singh | D♭ Major | 7 | 3B | 92 BPM | ||
| Vidaai Ke Sathe Nevta | Pawan Singh | A♭ Major | 9 | 4B | 136 BPM | ||
| Aangana Duware Sagare | Bharat Sharma | F Minor | 7 | 4A | 152 BPM | ||
| Sajna Syan Hum Nadan | Madan Rai | A♭ Major | 9 | 4B | 147 BPM | ||
| Daso Disha Se Aai Maiya | Gunjan Singh | E Major | 8 | 12B | 112 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Jhulna Ma Baithe Maiya | Dukalu Yadav | D♭ Major | 9 | 3B | 76 BPM | ||
| Holi Me Saman Nasi Ho | Radhe Shyam Rasiya, Suman Raj | D♭ Major | 9 | 3B | 150 BPM | ||
| Dekhama Kali Hotala Lali | Bilal Tadavi, Urmila Mahajan, Aarti Kale | G Major | 8 | 9B | 99 BPM | ||
| Dhadke Chatiya | Pawan Singh, Aditya, Sameer, Indu Sonali, Khushboo Jain, Meenu Arora | D♭ Major | 8 | 3B | 100 BPM | ||
| Nagvelicha Pan | Chandan Kamble | A♭ Major | 9 | 4B | 120 BPM | ||
| Laagta Bhula Gayilu | MANOJ TIWARI | F♯ Minor | 6 | 11A | 156 BPM | ||
| Pandey Ji Ankh Mare Tani | Phool Mohammad, Neha Raj | F Minor | 9 | 4A | 165 BPM | ||
| Parichin Chaliyo Sakhi | Poonam Mishra | C Major | 8 | 8B | 153 BPM | ||
| Asud Badvit Aali Lakhabai | Balu Shinde | A♭ Minor | 6 | 1A | 123 BPM | ||
| Piseli Chatniya | Munna Singh | F Minor | 8 | 4A | 173 BPM | ||
| Sadiya Lai Da Balam Calcutiya | Indu Sonali, Koras | F♯ Major | 10 | 2B | 125 BPM | ||
| Ved Jiva Lavito Pava | Suryakant Shinde | A♭ Minor | 9 | 1A | 153 BPM | ||
| Chacha Hamre Mathwa Pe | Indu Sonali, Pranali, Rajesh Jha, Rihabh | B♭ Major | 6 | 6B | 78 BPM | ||
| Kahan Se Laylho Ho Baba | Anuradha Paudwal, Sunil Chhaila Bihari | G Major | 4 | 9B | 117 BPM | ||
| Bhangiya Bhikhari | Poonam Mishra | F♯ Major | 7 | 2B | 165 BPM |