On June 29, 1998, the song "Sajna Syan Hum Nadan" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Sab Din Hot Na Ek Samaan (Nirgun)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Sajna Syan Hum Nadan's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sajna Syan Hum Nadan by Madan Rai having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ro Lain De | Sanam Deep | D♭ Major | 5 | 3B | 112 BPM | ||
| Saadi Choli Penhali Ganhwa | Madan Rai | F♯ Major | 6 | 2B | 110 BPM | ||
| केहू गोदवाई का गोदनवा | Chandan Tiwari | C Major | 9 | 8B | 120 BPM | ||
| Toot Jata Choli Ke Bandhanwa | Golu Raja | B♭ Major | 7 | 6B | 110 BPM | ||
| Mai Jhamiya Bundelkhand Ki | Jaysingh raja, jyoti Kushvah | F♯ Minor | 9 | 11A | 163 BPM | ||
| Savargo Se Sunder Apna Mithila Dham | Madhav Rai | B Major | 8 | 1B | 150 BPM | ||
| Murli Kyo Bajaye | Halke Ram Kushwah, Jyoti Kushvah | D♭ Minor | 9 | 12A | 130 BPM | ||
| Ja Ja ke Raduaa | Jaysingh raja, Doli Rajpoot | A♭ Minor | 4 | 1A | 96 BPM | ||
| Aawtare Dulha Damad Ye Lala | Karina Pandey, Sovita Pandey, Hema Pandey | E♭ Minor | 7 | 2A | 169 BPM | ||
| Anathak Nath Bhola | Dilip Darbhangiya | C Minor | 10 | 5A | 102 BPM | ||
| Aarti Om Jay Jagdish Hare | prakashdasswamiofficial | A♭ Major | 9 | 4B | 89 BPM | ||
| Padh Le Rau Bauaa | Dilip Darbhangiya | F♯ Minor | 10 | 11A | 95 BPM | ||
| Bani Thani Gori Chalali | Madan Rai | F♯ Major | 6 | 2B | 110 BPM | ||
| Darshan Se Pap Harile Tharo Pani Devi Narbada Mata Ho | Ashwin Yadav | D♭ Minor | 8 | 12A | 83 BPM | ||
| Mainu Ke Pata Maa Ki Ki Kari | Narendra Chanchal | D♭ Major | 9 | 3B | 95 BPM | ||
| Botel Ke Botel Pani | Aashish Yadav | E Major | 7 | 12B | 115 BPM | ||
| Kavne Dariya Soheli Koiliya | Bechan Ram Rajbhar | C Minor | 5 | 5A | 160 BPM | ||
| Aha Paar Hamro Madaiya | Pawan Singh | A♭ Major | 5 | 4B | 96 BPM | ||
| Lale Lale Joda Me | Golu Tufan, Deepak Tiwari | G Major | 9 | 9B | 158 BPM | ||
| Karaar Pa Na Sake Hum To | Attaullah Khan | D♭ Major | 6 | 3B | 105 BPM | ||
| Maiya He Suniyau Hamro Bipatiya | Dilip Darbhangiya | E Major | 7 | 12B | 190 BPM | ||
| Hoi Ta Gayil Paanch Bar | Diwakar Dwivedi | F Minor | 7 | 4A | 92 BPM | ||
| Pijra Se Bhagal Suganwa | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Tu Karant Mare Chhi | Madhav Rai | B♭ Minor | 8 | 3A | 110 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM |