On June 1, 1996, the song "Saadi Choli Penhali Ganhwa" was released by Madan Rai. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Nirgun Geet". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. In terms of popularity, Saadi Choli Penhali Ganhwa is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Saadi Choli Penhali Ganhwa by Madan Rai having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jija Byau Na Byah Hamaro | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 138 BPM | ||
| Baajna Kahela Hum Baajab | Aarti Mishra, Madan Rai, Tarun Toofani | E♭ Major | 8 | 5B | 94 BPM | ||
| Nindra Bech Deu Koi Lyo | Sanwarmal Saini | A♭ Major | 5 | 4B | 80 BPM | ||
| Jhamlo Jagayo Thara Nam Ko | Sukhdev Bharti | F Major | 9 | 7B | 90 BPM | ||
| Ankhiya Me Bhar Ke Asarwa | Bharat Sharma | B♭ Major | 7 | 6B | 145 BPM | ||
| Mere Dard Ki Kahani | Shahid Ali Khan | E Major | 8 | 12B | 119 BPM | ||
| Baba Ekar To Darbar Mein Bula Lijiye | Rafiq Sagar | F♯ Major | 9 | 2B | 98 BPM | ||
| Bhaktichiya Poti Bodh | Digambar Kutae, Kashiram Indolikar | D♭ Major | 5 | 3B | 82 BPM | ||
| Majva Udave Raja | Ramkhilawan | B Major | 9 | 1B | 146 BPM | ||
| Ja Ja ke Raduaa | Jaysingh raja, Doli Rajpoot | A♭ Minor | 4 | 1A | 96 BPM | ||
| Jija Bikchu So Raho Khaye | Naresh Gurjar | D Minor | 9 | 7A | 148 BPM | ||
| Dhola Chaanjla | Atta Ullah Khan Esakhelvi | F♯ Major | 7 | 2B | 110 BPM | ||
| Ek Patra Dila Khanala - Shivji Ani Khanachi Bhetichi Tayari | Shivshahir Vijay Tanpure | A♭ Major | 7 | 4B | 145 BPM | ||
| Bharat Ke Lalanva | Pancham Pardesi, Madan Rai | F♯ Major | 9 | 2B | 150 BPM | ||
| Jaanila Maram Hum Khoobhee Tohaar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Alabyada Bikki Bikki | Prabhakar Chikki | F Major | 6 | 7B | 109 BPM | ||
| Man Re Esa Satguru Joi | Bhajnanand Ji Maharaj | G Major | 7 | 9B | 112 BPM | ||
| Doliya Kanhaar Leke Aile | Madan Rai | A♭ Major | 6 | 4B | 79 BPM | ||
| Abahi Umiriya Baari | Madan Rai | F♯ Major | 5 | 2B | 112 BPM | ||
| Gaalav Rishi Bharam Me Bilkul Chur Ho Gaya | Koshinder Khadana | F♯ Major | 6 | 2B | 129 BPM | ||
| Hari Ri Mori Lagi Lagan | Rajendra Vyas | A♭ Major | 9 | 4B | 147 BPM | ||
| Ankhiya Se Neend Udi Jala Piya | Madan Rai | B Minor | 5 | 10A | 108 BPM | ||
| Maihar Ki Bhawani Mata Sharda | Bechan Ram Rajbhar | B Major | 5 | 1B | 117 BPM | ||
| Kissa -: Krishna Sudama | Tarun Baliyan | A♭ Major | 8 | 4B | 98 BPM | ||
| Kar Na Dulhaniya Nayan Mein | Madan Rai | F♯ Major | 6 | 2B | 110 BPM |