On July 6, 2001, the song "Ankhiya Se Neend Udi Jala Piya" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Choodi Khanke Sawan Mein by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Ankhiya Se Neend Udi Jala Piya is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ankhiya Se Neend Udi Jala Piya by Madan Rai is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aail Chhathi Ke Pujanwa | Gopal Rai | A♭ Major | 8 | 4B | 80 BPM | ||
| Halke Se Mara Ke Bade Se Mara Bundeli Geet | JaiSingh Raja | B Minor | 8 | 10A | 78 BPM | ||
| O Meera Bhabhi Ji | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Eadha Rani Ka Naam | Baba Rasika Pagal | E♭ Major | 7 | 5B | 175 BPM | ||
| Thane To Dhyave Aakho Marwar O | Prakash Mali, Mahendra Singh, Daksha Prajapati | A Minor | 9 | 8A | 102 BPM | ||
| Kanifnathala Vandan Karu | Chhagan Chougule | E♭ Minor | 7 | 2A | 103 BPM | ||
| O Tera Ki Lagda Kaali Kamli Wala | Dhiraj Sharma | A♭ Major | 7 | 4B | 175 BPM | ||
| Baba Ke Duarwa Se | Gopal Rai | F Minor | 6 | 4A | 149 BPM | ||
| Bam Bhola-Bam Bhola | Manish Tiwari | F♯ Minor | 9 | 11A | 167 BPM | ||
| Chait Kuwarva Mata Ji Duaarva | Devendra Pathak, Madan Rai, Satendra Pathak, Shashi Pathak, Neetu Singh | B♭ Minor | 9 | 3A | 160 BPM | ||
| Pecham Dharam Mein | Gopal Bajaj | B♭ Major | 9 | 6B | 96 BPM | ||
| Kar Lo Kar Lo Charo Dhaam | Mishra Bandhu | D♭ Minor | 8 | 12A | 92 BPM | ||
| Jai Jai Durga Mahrani | Bharat Sharma Vyas | D♭ Major | 5 | 3B | 148 BPM | ||
| Ho Shyam Tera Dar Na Chute | Deepa Didi | E♭ Major | 9 | 5B | 120 BPM | ||
| Jab Se Gawanwa Ke Dinva Dharail | Bharat Sharma Vyas | G Major | 7 | 9B | 80 BPM | ||
| Ya ali Ya Hussain | Saleem Altaf | B Major | 7 | 1B | 135 BPM | ||
| Govind Lagla Chhand Manala | Radha Krishna Maharaj | D♭ Major | 9 | 3B | 81 BPM | ||
| Main Vaari Jaava Ram Jina Diya Manne | Dhiraj Sharma | A♭ Major | 7 | 4B | 175 BPM | ||
| Naihar Mein Bichhilaai Paiyan | Madan Rai | F♯ Minor | 5 | 11A | 160 BPM | ||
| Ye Meri Arzi Hai-Unplugged | Sadhvi Purnima Ji, Suraj Vishwakarma | E♭ Major | 4 | 5B | 82 BPM | ||
| Tum Mere Baad Mohhabat Ko Taras Jaoge | Mamta Gupta | D Major | 10 | 10B | 120 BPM | ||
| Le Le Aih Humre Raja Ji | Devi | D♭ Major | 5 | 3B | 154 BPM | ||
| Kaahe Ke Biahal Babuji | Madan Rai | A♭ Major | 6 | 4B | 134 BPM | ||
| Darshan Diya Maa | Dilip Darbhangiya | F♯ Major | 7 | 2B | 142 BPM | ||
| Sun To Le Wo | Gorelal Barman | C Major | 6 | 8B | 108 BPM |