On October 21, 1999, the song "Kaahe Ke Biahal Babuji" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Balam Gaile Jhariya by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Kaahe Ke Biahal Babuji's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kaahe Ke Biahal Babuji by Madan Rai is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tora Mora Manwa | Madan Rai | F♯ Major | 5 | 2B | 112 BPM | ||
| Aarti Ho Dev Jambheshwar Dev | Sameer Bishnoi | D♭ Major | 8 | 3B | 90 BPM | ||
| Sainya Mor Gavanva | Gopal Rai | A♭ Minor | 4 | 1A | 157 BPM | ||
| Piseli Chatniya | Munna Singh | F Minor | 8 | 4A | 173 BPM | ||
| Tai Aamchi Honar Navari | Shakuntala Jadhav | F♯ Major | 5 | 2B | 94 BPM | ||
| Sri Ramakrishna Maa Sarada | Anup Ghoshal | E♭ Minor | 7 | 2A | 150 BPM | ||
| Jabse Chadal Bayisaakhna | Radhe Shyam Rasiya, Vinay Bihari | E Major | 6 | 12B | 182 BPM | ||
| Andha Khora Boba | Manna Dey | B♭ Major | 8 | 6B | 92 BPM | ||
| Lagan | Aashish Yadav, Shweta Sargam | A Major | 3 | 11B | 62 BPM | ||
| Maihar Wali Maiya Ke | Devendra Pathak, Madan Rai, Satendra Pathak, Shashi Pathak, Neetu Singh | A♭ Minor | 6 | 1A | 167 BPM | ||
| Sava Tolyacha Locket Kale - Kalubai | Vijay Sartape | B Major | 8 | 1B | 129 BPM | ||
| Kajri Biraha | Kalpana Patowary | E Major | 5 | 12B | 72 BPM | ||
| Sundar Sahano Dulha | Sharda Sinha | F♯ Major | 5 | 2B | 144 BPM | ||
| Pritichya Baget Tu | Yuvraj Pradhan | D♭ Major | 6 | 3B | 102 BPM | ||
| Pandharicha Sakha Pandurang | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Maati Ke Khapri Mein Laavo(Laava Bhunjai) | Sunil Chhaila Bihari, Shailaja, Manisha, Priya | F♯ Major | 6 | 2B | 103 BPM | ||
| Pyar Kare Ke Masti Kare Ke | Rupesh Mishra, Khushboo Jain | A Minor | 9 | 8A | 138 BPM | ||
| Rama Namavembo | Sadwini Koppa | E♭ Major | 7 | 5B | 140 BPM | ||
| Ghat Ma Giridhari Ne Man Ma Morari | Nidhi Dholakia | A Minor | 4 | 8A | 90 BPM | ||
| Sajna Syan Hum Nadan | Madan Rai | A♭ Major | 9 | 4B | 147 BPM | ||
| Ata Vandu Ata Mazi Yellama Mata | Surykant Shinde | F♯ Major | 4 | 2B | 115 BPM | ||
| Lane Go Zanjurache (Old Is Gold) | AN CREATIONS | A♭ Major | 8 | 4B | 75 BPM | ||
| Dewra Ke Dare E Rama | Pawan Singh | D♭ Major | 9 | 3B | 118 BPM | ||
| Roje Mandirwa Hum Aayibe | MANOJ TIWARI, Rekha Rao | D♭ Minor | 7 | 12A | 171 BPM | ||
| Mon Tui Morli | Manna Dey | B♭ Major | 5 | 6B | 97 BPM |