Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Welsh National Opera Chorus, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan, Valerie Seymour, John King, Philip Lloyd Evans's ' "H.M.S. Pinafore, Act II: Finale. O Joy, Oh Rapture Unforeseen!" was released on its scheduled release date, October 25, 1994. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Arthur Sullivan, Welsh National Opera Chorus, Welsh National Opera Orchestra, Sir Charles Mackerras, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan's "Gilbert & Sullivan: H.M.S. Pinafore" album is number 27 out of 27. On top of that, United States appears to be the country where this track was created. The popularity of H.M.S. Pinafore, Act II: Finale. O Joy, Oh Rapture Unforeseen! is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of H.M.S. Pinafore, Act II: Finale. O Joy, Oh Rapture Unforeseen! by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Welsh National Opera Chorus, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan, Valerie Seymour, John King, Philip Lloyd Evans to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6. And I have journey'd for a month | Arthur Sullivan, Colin Wright, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 1 | 5B | 126 BPM | ||
| La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta | Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra | A Major | 2 | 11B | 165 BPM | ||
| Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Kiri Te Kanawa, Myung-Whun Chung | A♭ Major | 2 | 4B | 98 BPM | ||
| Carmen / Act 1: Et la garde descendante | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Walter Hagen-Groll | D Minor | 1 | 7A | 121 BPM | ||
| Away! Away! My Heart's on Fire | The Pirates Of Penzance | B Minor | 5 | 10A | 70 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" | Georges Bizet, Alexander Gibson, Scottish National Orchestra | A♭ Major | 3 | 4B | 88 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | A♭ Major | 3 | 4B | 88 BPM | ||
| Eugene Onegin, Op. 24, TH 5, Eugene Onegin, Op. 24, Act II: Uzhel ya zasluzhil ot vas nasmyeshku etu? | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | A Minor | 1 | 8A | 71 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "Behold, God the Lord passed by!" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | C Major | 1 | 8B | 100 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | ||
| H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
| When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | ||
| 17. Strephon's a member of Parliament | Arthur Sullivan, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique | Carl Orff, Sir Simon Rattle, Knaben des Staats- und Domchors Berlin, Sally Matthews, Berliner Philharmoniker | G Major | 0 | 9B | 126 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | B♭ Major | 2 | 6B | 48 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "Hear ye, Israel" - "Thus saith the Lord" - "I am He that comforteth" | Felix Mendelssohn, Renée Fleming, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Major | 0 | 6B | 120 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: In taberna quando sumus | Carl Orff, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| H.M.S. Pinafore: Entracte | Arthur Sullivan, The New Symphony Orchestra Of London, Isidore Godfrey | G Major | 1 | 9B | 88 BPM | ||
| Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | A♭ Major | 3 | 4B | 88 BPM | ||
| Quousque Dómine (salmo 12) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Strauss II, J: La chauve-souris, Act 2: Couplets. "Versez-nous le champagne" (Orlofsky, Arlette, Gaillardin, Chœur) | Johann Strauss II, Franck Pourcel, Choeurs Rene Duclos, Jacques Pruvost, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM |