Philip Glass, Carducci String Quartet's ' "String Quartet No. 5: I. —" was released on its scheduled release date, September 4, 2015. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Philip Glass, Carducci String Quartet, Cian O'Dúill, Gemma Rosefield's "Glass: String Quartet No. 5, Suite from Dracula & String Sextet" album is number 1 out of 17. On top of that, Hong Kong appears to be the country where this track was created. The popularity of String Quartet No. 5: I. — is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of String Quartet No. 5: I. — by Philip Glass, Carducci String Quartet to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gypsy Moth | Andrew Bird | D Minor | 3 | 7A | 134 BPM | ||
| By the Deep Sea | Federico Albanese | F Minor | 2 | 4A | 120 BPM | ||
| Manchester Minimalist Piano and Strings | Lesley Barber | E♭ Major | 0 | 5B | 147 BPM | ||
| George's Waltz (II) | Shigeru Umebayashi | E Minor | 2 | 9A | 138 BPM | ||
| Pebbles Dropped into the Lake | Philip Glass, Third Angle New Music, Nikolas Caoile, Sarah Tiedemann, John Nastos, Sean Fredenburg, Arwen Myers, Maria Garcia, Yoko Greeney, Joellen Sweeney | D♭ Major | 3 | 3B | 151 BPM | ||
| Suspended | Poppy Ackroyd | D Minor | 0 | 7A | 148 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| The Young Conscript And The Moon | Balanescu Quartet | G Minor | 1 | 6A | 87 BPM | ||
| Shadow Land, Pt. 1 | Federico Albanese | F Minor | 1 | 4A | 123 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| Daguerréotype: 2 Juliette - acoustic instrumental | Olivia Belli | D Major | 0 | 10B | 79 BPM | ||
| IV. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 67 BPM | ||
| Evening of Roses (Arr. Hodge for Cello, Clarinet and Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | B♭ Major | 2 | 6B | 103 BPM | ||
| Mad Rush: Part D (Bar 232 - Bar 273) | Philip Glass, Vestard Shimkus | F Major | 0 | 7B | 65 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM | ||
| Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
| Often A Bird | Wim Mertens | D Major | 1 | 10B | 154 BPM | ||
| My Friend the Forest | Nils Frahm | A♭ Major | 0 | 4B | 83 BPM | ||
| Hymne | Anja Lechner, François Couturier | D Minor | 0 | 7A | 75 BPM | ||
| Renovation of the Whole | Chicco Birds | B♭ Minor | 0 | 3A | 147 BPM | ||
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
| Walzer für Robert | Anne Müller | B Minor | 2 | 10A | 132 BPM | ||
| Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM | ||
| Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
| Evocazione n.9 (Dedalo) | DAVIDE FERRO | D♭ Major | 3 | 3B | 151 BPM |