"Evening of Roses (Arr. Hodge for Cello, Clarinet and Ensemble)" by Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos had its release date on January 19, 2018. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Evening of Roses (Arr. Hodge for Cello, Clarinet and Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Hadar: Evening Of Roses (Arr. Cello, Clarinet & Ensemble) and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Evening of Roses (Arr. Hodge for Cello, Clarinet and Ensemble) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evening of Roses (Arr. Hodge for Cello, Clarinet and Ensemble) by Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne (Arr. for Solo Violin and Piano) | Dobrinka Tabakova, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| 6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
| Cantata Memoria: Lament for the Valley | Karl Jenkins, Bryn Terfel, Elin Manahan Thomas, Côr Heol y March, Cor Y Cwm, David Childs, Joo Yeon Sir, Jody Jenkins, Sinfonia Cymru | D Minor | 3 | 7A | 127 BPM | ||
| Oblivion | Anne Gastinel, Sandrine Piau, Violoncelles de l’Orchestre National de France | F Minor | 2 | 4A | 90 BPM | ||
| No Woman, No Cry (Arr. Kanneh-Mason) | Sheku Kanneh-Mason | D Major | 0 | 10B | 80 BPM | ||
| Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
| Consolation No. 3, S. 172/3 (Arr. Swert for Cello & Piano) | Franz Liszt, Sheku Kanneh-Mason, James Baillieu | E Major | 1 | 12B | 121 BPM | ||
| Drømte mig en drøm (Arr. For String Quartet) | Traditional, Danish String Quartet | G Minor | 0 | 6A | 127 BPM | ||
| Una Fantasia | Arash Safaian, Ludwig van Beethoven, Sebastian Knauer, Zürcher Kammerorchester | D♭ Major | 2 | 3B | 94 BPM | ||
| "Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: I. Adagio ma non troppo | Max Bruch, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Minor | 1 | 7A | 117 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
| All in the Past | Georgs Pelēcis, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 0 | 7A | 58 BPM | ||
| Presque Valse | Anne Chmelewsky | D Minor | 2 | 7A | 95 BPM | ||
| Gluck / Arr Siloti: Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Christoph Willibald Gluck, Alexandre Tharaud | B♭ Minor | 0 | 3A | 77 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Les contes d'Hoffmann: Barcarolle (Arr. for 2 Cellos and Piano) | Jacques Offenbach, Raphaela Gromes, Wen-Sinn Yang, Julian Riem | D Major | 1 | 10B | 132 BPM | ||
| VI. Sea Ice Melting | Jacob Shea, Eldbjørg Hemsing, Arctic Philharmonic | C Major | 1 | 8B | 111 BPM | ||
| Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet [arr. W. Kempff for piano] | George Frideric Handel, Roland Pöntinen | G Minor | 0 | 6A | 67 BPM | ||
| Autumn Music 2 | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | F♯ Major | 0 | 2B | 68 BPM | ||
| Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
| Winter 2 - 2022 | Max Richter, Elena Urioste, Chineke! Orchestra | F Minor | 2 | 4A | 123 BPM | ||
| Les larmes de Jacqueline, Op. 76, No. 2 | Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva | C Major | 1 | 8B | 129 BPM | ||
| Hable con Ella | Alberto Iglesias, Remy Van Kesteren | A Minor | 1 | 8A | 111 BPM |