"Lamentationes Jeremiae Prophetae, Prima die: Lectio secondo" by Emilio de' Cavalieri, Profeti Della Quinta had its release date on September 15, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 19 in Cavalieri: Lamentationes Jeremiae Prophetae by Emilio de' Cavalieri, Profeti Della Quinta. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Lamentationes Jeremiae Prophetae, Prima die: Lectio secondo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lamentationes Jeremiae Prophetae, Prima die: Lectio secondo by Emilio de' Cavalieri, Profeti Della Quinta is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial | G Major | 1 | 9B | 75 BPM | ||
| Membra Jesu Nostri, BuxWV 75: Sonata [Ad cor] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
| Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | ||
| Sarabande Jeunes Zephirs | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Major | 0 | 7B | 113 BPM | ||
| [Suite en la majeur]: I. Prélude (No. 17) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 112 BPM | ||
| Qu'on ne me parle plus d'amour | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | G Minor | 1 | 6A | 94 BPM | ||
| Pièces de viole, Book 2, Suite in E Minor: No. 96, Prélude | Marin Marais, La Rêveuse, Florence Bolton, Emily Audouin, Carsten Lohff, Benjamin Perrot | E♭ Minor | 0 | 2A | 137 BPM | ||
| Rappresentatione di Anima, et di Corpo, Atto secondo: Scena seconda (Consiglio) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod | G Major | 1 | 9B | 93 BPM | ||
| Arne: When Daisies Pied (The Cuckow) | Thomas Arne, Malena Ernman, L'Arpeggiata, Christina Pluhar | F Major | 1 | 7B | 88 BPM | ||
| In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | D♭ Major | 0 | 3B | 173 BPM | ||
| Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
| Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act II: Thanks to These Lonesome Vales | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM | ||
| Concerti ecclesiastici: No. 50, Sonata à 4 | Giovanni Paolo Cima, Ecco la musica | D♭ Major | 2 | 3B | 87 BPM | ||
| Charpentier: Messe pour les trépassés, H. 2: V. Symphonie - Agnus Dei | Marc-Antoine Charpentier, Michel Corboz, Coro Gulbenkian, Fernando Serafim, John Elwes, Michel Brodard, Orquestra Gulbenkian | A Minor | 1 | 8A | 83 BPM | ||
| Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutare | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| For The Feast-Day of St. James, apostle: O beate Dei athleta Jacobe | Urbani Loth, Arianna Savall, La Fenice, Jean Tubéry | A Minor | 1 | 8A | 81 BPM | ||
| Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Ach Vlaendere vrie | Thomas Fabri, Capilla Flamenca | B♭ Major | 2 | 6B | 89 BPM | ||
| Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | G Minor | 0 | 6A | 74 BPM | ||
| Rappresentatione di Anima et di Corpo: Scena IX Nr. 54 Choro "Dopò bravi sudori" | Emilio de' Cavalieri, Vienna Chamber Choir, Capella Academica Wien, Ensemble Wolfgang von Karajan, Sir Charles Mackerras | G Major | 1 | 9B | 125 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM |