Spoken Word, Edward R. Murrow's ' "March 9, 1941" was released on its scheduled release date, 1966. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 25 in A Reporter Remembers, Vol. 1: The War Years by Spoken Word, Edward R. Murrow. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. March 9, 1941 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of March 9, 1941 by Spoken Word, Edward R. Murrow is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slaughterhouse 5, Pt. 5, 6 and 7 | Kurt Vonnegut | B♭ Minor | 1 | 3A | 99 BPM | ||
| Unquestioning Presence | Spiritual Unfoldment with John Butler | B♭ Minor | 1 | 3A | 91 BPM | ||
| Perfect Woman (William Wordsworth) | Michael Sheen | D♭ Major | 0 | 3B | 77 BPM | ||
| The Rising Sun | Richard Burton | A Minor | 1 | 8A | 61 BPM | ||
| I Knew a Woman | Theodore Roethke | E Minor | 4 | 9A | 170 BPM | ||
| August 24, 1940 | Spoken Word, Edward R. Murrow | G Major | 2 | 9B | 59 BPM | ||
| Slaughterhouse 5, Pt. 10 | Kurt Vonnegut | F Major | 1 | 7B | 87 BPM | ||
| Chapter 31 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | A Major | 3 | 11B | 59 BPM | ||
| Cornish Kilt | Jethro | A Major | 3 | 11B | 119 BPM | ||
| Track 18 - Sword of Orion, Part 1 | Doctor Who, Nicholas Briggs, Paul McGann, India Fisher | F Minor | 4 | 4A | 85 BPM | ||
| Don’t Try To Know Everything | Spiritual Unfoldment with John Butler | D♭ Major | 1 | 3B | 59 BPM | ||
| Death Be Not Proud By John Donne | John Donne | C Minor | 1 | 5A | 87 BPM | ||
| Commando Patrol - 1943 Recording | The Squadronaires | F Major | 3 | 7B | 145 BPM | ||
| The Open Window by Saki | Alfred Hitchcock | C Major | 0 | 8B | 125 BPM | ||
| News Bulletin: Luxemburg Liberated 11.9.1944 | Stuart Hibberd | D♭ Major | 4 | 3B | 98 BPM | ||
| Hungry Mungry | Shel Silverstein | B Major | 3 | 1B | 104 BPM | ||
| Applying Presence to Challenges | Eckhart Tolle | F♯ Major | 2 | 2B | 118 BPM | ||
| The Birth of Frankenstein | Grim Reaper Players, Ingrid McNeely, Rose McNeely, Tom Joyal, Harry Whitaker, Maria Casler, Uncle Guts | D Major | 3 | 10B | 121 BPM | ||
| Psalm 18 31-50 | Zion Pentecostal Moreton's Hr. NL | G Minor | 2 | 6A | 120 BPM | ||
| Said You Love Me | Momenee | A Minor | 2 | 8A | 98 BPM | ||
| Academy Award (Light Entertainment Awards) | Stanley Black | G Major | 4 | 9B | 83 BPM | ||
| Ed Murrow In London - 24 August 1940 | Edward R. Murrow | B♭ Minor | 3 | 3A | 70 BPM | ||
| March 9, 1941 | Spoken Word, Edward R. Murrow | B Major | 4 | 1B | 84 BPM | ||
| I Sustain The Wings (Theme) - 1944 Recording | Glenn Miller & AAFTCO | B♭ Major | 2 | 6B | 99 BPM | ||
| Blood, Toil, Tears and Sweat | Winston Churchill | F♯ Minor | 4 | 11A | 96 BPM |