George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeannie Cheatham, Bernard Mixon's ' "Changing with The Times: VII." was released on its scheduled release date, January 1, 1993. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Changing with The Times: VII.'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George E. Lewis, George Lewis's "George Lewis: Changing With the Times" album is number 12 out of 15. Based on our statistics, Changing with The Times: VII.'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Changing with The Times: VII. by George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeannie Cheatham, Bernard Mixon to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shadow | Anja Lechner, François Couturier | D♭ Major | 0 | 3B | 88 BPM | ||
| Alain: Berceuse sur deux notes qui cornent | Jehan Alain, Marie-Claire Alain | A♭ Major | 0 | 4B | 68 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | A Major | 1 | 11B | 70 BPM | ||
| Room | nnnoah | A Minor | 0 | 8A | 130 BPM | ||
| Wallfahrtslied (Pilgrim's Song) | Arvo Pärt, Angèle Dubeau, La Pietà | E Minor | 1 | 9A | 89 BPM | ||
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
| Vidimus Stellam: I. O Oriens | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| In the Shining Blackness | Benjamin Rimmer, Exaudi Vocal Ensemble, James Weeks | D Minor | 1 | 7A | 67 BPM | ||
| Schubert's "Winterreise": No. 1, Gute Nacht | Hans Zender, Franz Schubert, Aurora Orchestra, Nicholas Collon, Allan Clayton | A Major | 1 | 11B | 70 BPM | ||
| Donnacha Dennehy: Land of Winter: IV. March | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | D Minor | 4 | 7A | 97 BPM | ||
| Música callada I: No. 2, Lent | Federico Mompou, Stephen Hough | E Minor | 0 | 9A | 86 BPM | ||
| Chicago Dadagram: III. | George E. Lewis, George Lewis, Daniel Koppelman, Ruth Neville, Jerome Rothenberg | D♭ Major | 3 | 3B | 122 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | A Major | 1 | 11B | 70 BPM | ||
| Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | D Minor | 4 | 7A | 101 BPM | ||
| Lyric Suite: I. Allegretto gioviale | Alban Berg, Leonkoro Quartet | G Minor | 1 | 6A | 81 BPM | ||
| Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Projection | Joe Lovano, Marcin Wasilewski Trio | G Minor | 1 | 6A | 100 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Akhnaten, Act III Scene 1: The Family | Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Anthony Roth Costanzo, J'nai Bridges, Lindsay Ohse, Karen Chia-Ling Ho, Chrystal E. Williams, Annie Rosen, Olivia Vote, Suzanne Hendrix, Metropolitan Opera Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Changing with The Times: I. | George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeanie Cheatham, Bernard Mixon | A Minor | 1 | 8A | 107 BPM | ||
| The Sacred Veil: VII. I Am Here | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | F Major | 0 | 7B | 87 BPM | ||
| the little match girl passion: we sit and cry | David Lang, Theatre Of Voices, Paul Hillier | B♭ Minor | 1 | 3A | 145 BPM | ||
| Salve Regina | Rebecca Dale, Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 67 BPM | ||
| Night Tide Light | Fred Hersch | D♭ Major | 0 | 3B | 64 BPM |