George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeanie Cheatham, Bernard Mixon's ' "Changing with The Times: I." was released on its scheduled release date, January 1, 1993. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George E. Lewis, George Lewis's "George Lewis: Changing With the Times" album is number 6 out of 15. In terms of popularity, Changing with The Times: I. is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Changing with The Times: I. by George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeanie Cheatham, Bernard Mixon to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| And One Of The Pharisees | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve | E Minor | 0 | 9A | 127 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: IXa. I See Not Those False Spirits | Edward Elgar, Karen Cargill, David Butt Philip, The Orchestra Of Opera North, Martyn Brabbins | D Major | 3 | 10B | 127 BPM | ||
| Leaps of Faith | Vanessa Lann, Marcel Worms | C Major | 2 | 8B | 109 BPM | ||
| Bartók: 44 Duos for Two Violins, Sz. 98: No. 11, Cradle Song | Béla Bartók, Andrew Watkinson, Ralph De Souza | E♭ Major | 0 | 5B | 67 BPM | ||
| For Bunita Marcus (1985): page 4 | Morton Feldman, Marc-André Hamelin | E♭ Major | 0 | 5B | 73 BPM | ||
| String Quartet: III. Fàpmu | Bjorn Arntsen, Towha | C Minor | 0 | 5A | 173 BPM | ||
| Ethereal Dance | Jarko Vento | D♭ Major | 6 | 3B | 110 BPM | ||
| Lyric Suite: I. Allegretto gioviale | Alban Berg, Leonkoro Quartet | G Minor | 1 | 6A | 81 BPM | ||
| Lyric Suite: III. Allegro misterioso - Trio estatico | Alban Berg, Leonkoro Quartet | D Major | 3 | 10B | 127 BPM | ||
| Changing with The Times: I. | George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeanie Cheatham, Bernard Mixon | A Minor | 1 | 8A | 107 BPM | ||
| Suite of Preludes: No. 2, Affettuoso | Kazimierz Serocki, Miyako Arishima | B♭ Minor | 3 | 3A | 110 BPM | ||
| 7 Haikus: V. Poco mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Solar I | Anja Lechner, François Couturier | E Minor | 2 | 9A | 110 BPM | ||
| Schichtungen 5 | Herr Stabel, Sebastian Deufel | F♯ Major | 1 | 2B | 82 BPM | ||
| Music for 18 Musicians: Section II | Steve Reich, Colin Currie, Colin Currie Group, Synergy Vocals | A Major | 2 | 11B | 100 BPM | ||
| Requiem, Op. 9: I. Introït | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | F Major | 1 | 7B | 76 BPM | ||
| Cello Suite No. 1 in G Major, BWV 1007: III. Courante - Arr. for Marimba | Johann Sebastian Bach, Kuniko | A Major | 8 | 11B | 114 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Threni: Incipit | Igor Stravinsky, Noord Nederlands Orkest, Daniel Reuss, Berit Norbakken, Marianne Beate Kielland | D Major | 3 | 10B | 127 BPM | ||
| A Child's Prayer | James MacMillan, Rakel Edda Guðmundsdóttir, Ragnheiður Sara Grímsdóttir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | E Minor | 1 | 9A | 129 BPM | ||
| Akhnaten, Act III Scene 1: The Family | Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Anthony Roth Costanzo, J'nai Bridges, Lindsay Ohse, Karen Chia-Ling Ho, Chrystal E. Williams, Annie Rosen, Olivia Vote, Suzanne Hendrix, Metropolitan Opera Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
| 7 Papillons: No. 5, — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
| 7 Haikus: IV. Con moto assai. Giocoso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM |