Imogen Holst, Simon Hewitt Jones, David Worswick, Tom Hankey, Oliver Coates, Thomas Hewitt Jones's 'String Quintet: III. Theme & Variations' had a release date set for September 22, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Imogen Holst, Various Artists's "Imogen Holst: String Chamber Music" album is number 19 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, String Quintet: III. Theme & Variations's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of String Quintet: III. Theme & Variations by Imogen Holst, Simon Hewitt Jones, David Worswick, Tom Hankey, Oliver Coates, Thomas Hewitt Jones to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| and the swallow | Caroline Shaw, Ars Nova Copenhagen, Paul Hillier | C Minor | 2 | 5A | 78 BPM | ||
| Symphony No. 2 in C Minor, Op. 29: IIId. Tempo I (Fig. 63) | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | ||
| All-night Vigil, Op. 37: No. 12, Glory to God in the Highest | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | F Minor | 1 | 4A | 70 BPM | ||
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| I. Surge propera amica mea | Ivan Moody, New York Polyphony | E♭ Major | 0 | 5B | 77 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | A Minor | 1 | 8A | 82 BPM | ||
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 0 | 8B | 92 BPM | ||
| Organoedia ad missam lectam, K. 186: V. Sanctus | Zoltán Kodály, Iain Quinn | A Major | 0 | 11B | 68 BPM | ||
| Variations on "Loth to Depart": Var. III | Imogen Holst, BBC Concert Orchestra, Alice Farnham | C Major | 1 | 8B | 74 BPM | ||
| Seven Part Songs: Assemble All Ye Maidens | Gustav Holst, Susan Longfield, The Purcell Singers, English Chamber Orchestra, Imogen Holst | F♯ Minor | 0 | 11A | 85 BPM | ||
| The Kingdom, Op. 51: IIIb. Pentecost (And suddenly there came from heaven) | Edward Elgar, Sarah Connolly, Benjamin Hulett, Ashley Riches, London Mozart Players, Crouch End Festival Chorus, David Temple | A♭ Major | 3 | 4B | 122 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 68 BPM | ||
| Sacrarum concentuum: Sonata prima à due cori | Giovanni Priuli, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Hail Gladdening Light | Charles Wood, The Mancunium Consort | A Major | 2 | 11B | 73 BPM | ||
| All-night Vigil, Op. 37: No. 11, My Soul Magnifies the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Major | 0 | 10B | 132 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Mass in Es, Kyrie | Josef Rheinberger, State Choir Latvija, Māris Sirmais | A♭ Major | 0 | 4B | 104 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| O Wisdom (O Sapientia - 17 December) | Philip Moore, St Martin's Voices, Andrew Earis | F♯ Minor | 1 | 11A | 83 BPM | ||
| 4 Motets pour un temps de pénitence, FP 97: No. 1, Timor et tremor | Francis Poulenc, The Choir Of Trinity College, Cambridge, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Miserere, Op.44: 6. Domine Deus noster-Molto lento. Poco più mosso, ma lento assai | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 126 BPM |