"Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante" by Johannes Brahms, London Philharmonic Orchestra, Marin Alsop had its release date on January 30, 2007. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in Brahms: Symphony No. 3 - Haydn Variations by Johannes Brahms, London Philharmonic Orchestra, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante by Johannes Brahms, London Philharmonic Orchestra, Marin Alsop is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ascanio in Alba, K. 111: Overture | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico Budapest, Jacques Grimbert | A♭ Major | 1 | 4B | 150 BPM | ||
| Water Music: Suite No. 2 in D Major, HWV 349, I. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 95 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 1, Allegro molto | Johannes Brahms, Magyar Szimfonikus Zenekarok, Istvan Bogar | G Minor | 2 | 6A | 134 BPM | ||
| Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
| Les noces de Jeanette: Air du rossignol (Arr. Pierre for Flute & Orchestra) | Victor Massé, Patrick Gallois, Richard Friedman, Fabrice Pierre, London Festival Orchestra, Ross Pople | A♭ Major | 1 | 4B | 135 BPM | ||
| Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: II. Largo | George Frideric Handel, Royal Northern Sinfonia, Bradley Creswick | G Minor | 1 | 6A | 77 BPM | ||
| Idomeneo: Ouverture. Allegro | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs | F Major | 0 | 7B | 88 BPM | ||
| Thaïs: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 95 BPM | ||
| Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
| Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 71 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
| Mozart: Concerto for Two Pianos No. 10 in E-Flat Major, K. 365: III. Rondeau. Allegro | Wolfgang Amadeus Mozart, Christoph Eschenbach, Justus Frantz, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 88 BPM | ||
| Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | B♭ Major | 2 | 6B | 108 BPM | ||
| String Quartet in F Major, Op. 3, No. 5, Hob. III:17, "Serenade": II. Andante cantabile (arr. L. Stokowski for orchestra) [Attrib. To Hoffstetter] | Joseph Haydn, Bournemouth Symphony Orchestra, José Serebrier | E Minor | 2 | 9A | 66 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
| Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Fritz Kreisler, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 128 BPM | ||
| Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
| Symphony No. 4 in C Minor, D. 417 "Tragic": II. Andante | Franz Schubert, Berliner Philharmoniker, Nikolaus Harnoncourt | D♭ Major | 0 | 3B | 61 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
| Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
| Mendelssohn-Hensel, F: String Quartet in E-Flat Major: II. Allegretto | Fanny Mendelssohn, Quatuor Ébène | C Minor | 3 | 5A | 151 BPM | ||
| Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM |