On 2001, the song "Ramayan Doha - Instrumental" was released by Praimsingh Melody Connection. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 11 out of 15 in Bhajan Sangam by Praimsingh Melody Connection, Rasika Dindial. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ramayan Doha - Instrumental is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ramayan Doha - Instrumental by Praimsingh Melody Connection is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Janat Ne The Yaar Yaari Lagaye Dukh Hoi Bundeli | Ramesh Vishwakarma | A Major | 7 | 11B | 138 BPM | ||
| Radha Naam Hai Jeevan Hamara | Premanand Maharaj | A♭ Major | 8 | 4B | 106 BPM | ||
| Chandan Palna Jhule Ganesha | Shahnaz Akhtar | A Minor | 4 | 8A | 110 BPM | ||
| Chalaya Chad Gai Re Dungar Pe | Ratan Kudi | D♭ Major | 9 | 3B | 114 BPM | ||
| Radu Nako Bala Mi Panyala Jate | Gokul Ambildhage | F♯ Minor | 10 | 11A | 134 BPM | ||
| Choli Mein Rang Dalwale Patarki | Bharat Sharma Vyas | B♭ Major | 8 | 6B | 116 BPM | ||
| Kene Kehu Raja Mare Mande Wary Bata | Sumitra Maliya | F♯ Major | 8 | 2B | 153 BPM | ||
| Koro Kajaliyo | Seema Mishra | A♭ Major | 7 | 4B | 108 BPM | ||
| Ramaiya Dulahin Chaley Bazaar | Rakesh Yankaran | G Major | 10 | 9B | 150 BPM | ||
| Maa Anjani Ka lala He | Sudhir Vyas | A♭ Major | 9 | 4B | 130 BPM | ||
| Maiya Tere Darbar Ye Diwane Aaye Hai | Shahnaz Akhtar | B♭ Minor | 8 | 3A | 102 BPM | ||
| Surta Rang Mahal Mein Hall Fuldo Ri Sage Vasau | Bheru Puri Sopura | F Minor | 9 | 4A | 102 BPM | ||
| Balam Chhoto So | Seema Mishra, Badri Vyas | A♭ Major | 6 | 4B | 110 BPM | ||
| Nachne Khkholya | Rakesh Dudwe | B♭ Minor | 7 | 3A | 131 BPM | ||
| Mujhe Das Banakar Rakh Lena | Dhiraj Kant | E Minor | 7 | 9A | 89 BPM | ||
| Kalali | Nokha Daiya, Ajij Kha | G Major | 9 | 9B | 152 BPM | ||
| Chhathi Maiya Ke Baratiya | Jeetu Sharma | F♯ Major | 5 | 2B | 100 BPM | ||
| Dil Se Tumko Manau Hey Bhagwan | Poonam Shastri Ji | A♭ Major | 9 | 4B | 109 BPM | ||
| De Dao Sudaya Ke | Raju, Ramkripal Ray, Parvati, Balram | B Minor | 7 | 10A | 102 BPM | ||
| Pardes Jake Pardesia | Lata Mangeshkar, Laxmikant–Pyarelal | E♭ Major | 6 | 5B | 80 BPM | ||
| Samsan Me Makan | Chintu Raja, Pallavi Jha | C Major | 7 | 8B | 141 BPM | ||
| Setha Se thath kare Gorakhnath | Mukesh Sharma | F Major | 8 | 7B | 92 BPM | ||
| Dalwal Na Dalwal Na (Holi) | MANOJ TIWARI, Indu Sonali, Anand Mohan | E♭ Major | 8 | 5B | 51 BPM | ||
| Dhanush Bhang Chhand | Deep, Ajay Bhai Ji | A♭ Minor | 9 | 1A | 102 BPM | ||
| Shani Chalisa (Superfast) | Manjeera Ganguly | A♭ Major | 10 | 4B | 140 BPM |