Heinrich Finck, Fritz Wunderlich's 'O schönes Weib' had a release date set for August 9, 2010. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Fritz Wunderlich's "Icon: Fritz Wunderlich" album is number 1 out of 97. The popularity of O schönes Weib is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O schönes Weib by Heinrich Finck, Fritz Wunderlich to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
| Sinfonia grave | Salomone Rossi, Capella De La Torre, Katharina Bauml | C Major | 3 | 8B | 84 BPM | ||
| Ballo milanese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | A Major | 0 | 11B | 174 BPM | ||
| Crabbe Schaw (Intrada) | Johann Grabbe, Capella De La Torre, Katharina Bauml | A Minor | 2 | 8A | 144 BPM | ||
| Io ti vorria contar, LV 658 (Transcr. for Lutes by Evangelina Mascardi) | Orlande de Lassus, Evangelina Mascardi, Frédéric Zigante, Cornelia Demmer | B Major | 2 | 1B | 136 BPM | ||
| Celeste Giglio | Anonymous, Heinrich Finck, Paul Hofhaimer Consort Salzburg | F Major | 1 | 7B | 81 BPM | ||
| Lamentations | Antoine Brumel, Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 68 BPM | ||
| Guerrero: Dixit Dominus Petro | A5 Vocal Ensemble, Francisco Guerrero | B Major | 1 | 1B | 65 BPM | ||
| Tocha tocha la Canella | Pietro Paolo Borrono, Paul O'Dette | G Major | 2 | 9B | 109 BPM | ||
| Sonate concertate in stil moderno, Book 1: No. 6, Sonata à 2 | Dario Castello, Ecco la musica | D♭ Major | 1 | 3B | 114 BPM | ||
| Ballo secondo | Giovanni Girolamo Kapsberger, Les Kapsber'girls | B Major | 1 | 1B | 89 BPM | ||
| Matachin | Gaspar Sanz, Pierre Pitzl | F Major | 0 | 7B | 133 BPM | ||
| Passamezzo sesto | Vincenzo Galilei, Massimo Lonardi | G Minor | 0 | 6A | 130 BPM | ||
| Ich wird erlost | Heinrich Finck, Matthias Ank | A Minor | 2 | 8A | 75 BPM | ||
| D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| Time stands still | John Dowland, Ruby Hughes, Jonas Nordberg | B♭ Minor | 1 | 3A | 76 BPM | ||
| Ich stund an einem morgen: Ich stuend an einem Morgen | Ludwig Senfl, Heinrich Isaac, Matthias Greiter, Heinrich Finck, Weser-Renaissance Bremen | A Minor | 1 | 8A | 166 BPM | ||
| La Parma | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | F Major | 0 | 7B | 139 BPM | ||
| Lachrimae or Seven Tears: VIII. Mr Nicholas Gryffith his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Veni sponsa Christi, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | B♭ Major | 2 | 6B | 98 BPM | ||
| Folia (2) | Francesco Corbetta, Pierre Pitzl, Private Musicke | B Major | 0 | 1B | 140 BPM | ||
| Portative organ - Madrigal (Ay schonsolato ed amoroso) | Vincenzo da Rimini, David Munrow, Early Music Consort Of London | A Minor | 0 | 8A | 103 BPM | ||
| Josquin: Missa Gaudeamus - 04. Gloria in Excelsis Deo | The Tallis Scholars, Peter Phillips | A♭ Minor | 2 | 1A | 88 BPM | ||
| Rosenkranzsonate No. 2 in A Major, C 91 "Mary's Visit to Elizabeth": I. Sonata | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM |