"Garufa" by Enrique Dumas had its release date on December 6, 1968. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Garufa's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 12 in De Rompe y Raje by Enrique Dumas. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Garufa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Garufa by Enrique Dumas is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cuartito Azul | Mariano Mores, Mario Ponce De Leon | C Minor | 3 | 5A | 122 BPM | ||
| Tema de Pototo (Para Saber Como Es la Soledad) | Spinettango | E Major | 4 | 12B | 99 BPM | ||
| Cuando Te Fuiste - Remasted | Oscar Larroca | A Major | 4 | 11B | 126 BPM | ||
| Inolvidable | Jorge Falcón | G Major | 3 | 9B | 117 BPM | ||
| Contame una historia | Viviana Scarlassa | D Minor | 3 | 7A | 101 BPM | ||
| El Aeroplano | Roberto Firpo | D♭ Minor | 7 | 12A | 109 BPM | ||
| Mejor Terminar Así | Jorge Falcón | D Major | 4 | 10B | 89 BPM | ||
| Milonga del Sentimiento | Carlos Di Sarli, Roberto Rufino | E Minor | 3 | 9A | 114 BPM | ||
| Dios Te Salve m'hijo | Agustin Magaldi | C Major | 2 | 8B | 125 BPM | ||
| No Me Hablen De Ella | Héctor Varela El As Del Tango y su Orquesta Típica | C Major | 4 | 8B | 73 BPM | ||
| Corrientes y Esmeralda | Juan D'Arienzo and his Orchestra, Alberto Echagüe | B Major | 5 | 1B | 129 BPM | ||
| Sólo Dios Sabe por Qué (with Fernando Soler) | Héctor Varela, Fernando Soler | D Minor | 5 | 7A | 99 BPM | ||
| Organito de la tarde | Orquesta Rodolfo Biagi, Cátulo Castillo, José Gonzalez Castillo | D Major | 3 | 10B | 142 BPM | ||
| Anoche - En Vivo | Lautaro Mazza, Oscar De Elía | A Minor | 2 | 8A | 86 BPM | ||
| Si supiera que la extraño | Tango Bardo, Roberto Minondi | D Major | 5 | 10B | 130 BPM | ||
| Siga el Corso | Enrique Dumas | D Major | 4 | 10B | 133 BPM | ||
| Susheta (El Aristócrata) | Ángel Vargas | G Minor | 5 | 6A | 98 BPM | ||
| Tibieza | Cucuza Castiello, Tango Bardo | F♯ Minor | 4 | 11A | 77 BPM | ||
| Los Largos Del Pibe | Osvaldo Pugliese y su Orquesta | F Minor | 3 | 4A | 109 BPM | ||
| Los Mareados | Anibal Troilo y su orquesta, Francisco Fiorentino | D Minor | 3 | 7A | 126 BPM | ||
| Palomita mia | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 122 BPM | ||
| Garua | Alberto Gomez | G Minor | 5 | 6A | 98 BPM | ||
| Canto De Amor | Enrique Dumas, Herencia Porteña | D Major | 5 | 10B | 116 BPM | ||
| El Tango Es el Tango | Ricardo Tanturi | B♭ Major | 3 | 6B | 132 BPM | ||
| Convencernos | Raúl Lavié, Chico Novarro | G Major | 8 | 9B | 123 BPM |