Alberto Gomez's ' "Garua" was released on its scheduled release date, January 22, 1929. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 24 in El Puñal by Alberto Gomez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Garua is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Garua by Alberto Gomez is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haste Siempre Amor | Jorge Valdéz Con La Orq. Juan D'Arienzo | E♭ Minor | 4 | 2A | 69 BPM | ||
| Hasta Siempre Amor - Remasterizado 2017 | Donato Racciatti y Su Orquesta Típica, Olga Del Grossi | G Minor | 4 | 6A | 132 BPM | ||
| Por Qué Me Das Pique | Alfredo De Angelis, Oscar Larroca | C Major | 3 | 8B | 125 BPM | ||
| No Me Supiste Amar | Orquesta Carlos di Sarli, Horacio Casares | A Minor | 3 | 8A | 121 BPM | ||
| Alma | Alberto Gomez, Gomez Vila | B♭ Major | 0 | 6B | 123 BPM | ||
| Libertad | Agustin Magaldi | E♭ Minor | 2 | 2A | 131 BPM | ||
| El Pájaro Cú | Juan Rocha, Alberto Gomez | F Major | 3 | 7B | 124 BPM | ||
| La Cama Vacía | Olimpo Cardenas | A Minor | 4 | 8A | 126 BPM | ||
| Ritmo de los Malditos | Breneli R | A Minor | 3 | 8A | 121 BPM | ||
| Cinco Danzas Gitanas, Op. 55: Sacro-Monte | Joaquín Turina, Alberto Gomez | D Major | 1 | 10B | 116 BPM | ||
| Telon | Lucio Demare, O.T. con Juan Carlos Miranda | C Major | 1 | 8B | 128 BPM | ||
| Cama vacía | Trio Argentino | B Minor | 6 | 10A | 173 BPM | ||
| Muñeca Brava | Alfredo De Angelis, Lalo Martel | E Major | 4 | 12B | 121 BPM | ||
| Dios Te Salve m'hijo | Agustin Magaldi | C Major | 2 | 8B | 125 BPM | ||
| Adios muchachos | Agustin Magaldi | D♭ Major | 2 | 3B | 117 BPM | ||
| La Pastora - Remasterizado | Julio Martel, Alfredo De Angelis | C Major | 2 | 8B | 123 BPM | ||
| Buenos Aires del 40 | Ricardo Tanturi y Enrique Campos | G Minor | 4 | 6A | 118 BPM | ||
| Rosa de otoño (Vals) | Nelly Omar, Francisco Canaro & His Orchestra | G Minor | 4 | 6A | 99 BPM | ||
| Por La Vuelta | Floreal Ruiz | C Major | 5 | 8B | 117 BPM | ||
| Mala Pinta | Julio De Caro | A♭ Major | 2 | 4B | 122 BPM | ||
| Silueta porteña | Jorge Maciel, Juan V. Cuccaro, Miguel Montero, Nicolás L. Cuccaro, Orquesta Osvaldo Pugliese | E Minor | 4 | 9A | 105 BPM | ||
| Jardín de Niños, Op. 63: Marcha | Joaquín Turina, Alberto Gomez | D Major | 2 | 10B | 98 BPM | ||
| La cumparsita | Nelly Omar | E Minor | 3 | 9A | 61 BPM | ||
| Duelo Criollo | Pedro Maffia, Alberto Gomez | D Major | 6 | 10B | 106 BPM | ||
| Casas Viejas | Francisco Canaro Y Su Orquesta Tipica, Juan Carlos Rolón | E Major | 2 | 12B | 127 BPM |