Петр Чайковский, Ковальский Сергей Львович, Александр Панайотов's ' "Охота, озеро" was released on its scheduled release date, February 14, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Лебединое озеро Татьяна Навка, so we believe that "Охота, озеро" is a single. In terms of popularity, Охота, озеро is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Охота, озеро by Петр Чайковский, Ковальский Сергей Львович, Александр Панайотов is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
| Künstlerleben | Vienna Volksoper Orchestra | C Major | 3 | 8B | 182 BPM | ||
| Журавли | Dmitri Hvorostovsky, Государственный Академический Камерный Оркестр России, Константин Орбелян | B Minor | 1 | 10A | 87 BPM | ||
| Don Giovanni, K. 527, Act II: Finale - Don Giovanni, a cenar teco | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| Evening Party | Shanghai Philharmonic Orchestra | A Minor | 1 | 8A | 110 BPM | ||
| Шумел сурово Брянский лес | The Red Army Choir, Gennady Sachenyuk, Valery Gavva, Igor Raevsky | A♭ Major | 5 | 4B | 84 BPM | ||
| Дети капитана Гранта: Увертюра | IP Orchestra | A♭ Major | 2 | 4B | 120 BPM | ||
| Für die ganze Welt, Walzer | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
| Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | D♭ Major | 1 | 3B | 85 BPM | ||
| Il trovatore: Gitanilla | Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić | F Major | 1 | 7B | 116 BPM | ||
| Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
| Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | ||
| Symhonie fantastique Op. 14: Songe d'une nuit de sabbat | Berliner Philharmoniker, Rudolf Kempe | G Minor | 3 | 6A | 110 BPM | ||
| Un moto di gioia mi sento, K.579 | Wolfgang Amadeus Mozart, Edita Gruberova, Vienna Chamber Orchestra, György Fischer | D Major | 2 | 10B | 130 BPM | ||
| Norwegian Dances, Op. 35: No. 2 in A Major: Allegretto tranquillo e grazioso | Edvard Grieg, Budapest Strings | A Major | 1 | 11B | 104 BPM | ||
| Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: Zamuchen tiazheloi nevolei [Tormented by a Lack of Freedom] [reconstructed by M. Fitz-Gerald] | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | A♭ Major | 0 | 4B | 169 BPM | ||
| Несокрушимая и легендарная [Песня о Советской Армии] | The Red Army Choir, Gennady Sachenyuk | D♭ Major | 4 | 3B | 66 BPM | ||
| Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks upon a Cliff Surmounted by a Bronze Horseman | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 3 | 8B | 99 BPM | ||
| Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | ||
| Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
| Dvorak Symphony No 8 Sht | Belize Ensemble | G Major | 0 | 9B | 61 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 132 BPM | ||
| Танец маленьких лебедей | Петр Чайковский | B Minor | 3 | 10A | 108 BPM | ||
| Erzherzog Albrecht-Marsch, Op. 136 | Karl Komzàk, Sr., Robert Stolz, Berliner Symphoniker | A Major | 5 | 11B | 116 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM |