On January 1, 1998, the song "Sarava" was released by Marc Antoine. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Marc Antoine's "Madrid" album is number 4 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Sarava is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sarava by Marc Antoine to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love's Taken Over | Nate Harasim, Jason Rahn, Jay Soto | E Minor | 8 | 9A | 172 BPM | ||
| Here We Go | Brian Hughes | G Minor | 7 | 6A | 104 BPM | ||
| Rise | Pamela Williams | C Major | 7 | 8B | 98 BPM | ||
| The Best Is Yet To Come | Russ Freeman & The Rippingtons, Steve Reid, Tony Morales, Kim Stone, Tom McMorran | F Major | 8 | 7B | 115 BPM | ||
| The Way She Looked (At Me) - Radio Edit | Bob Baldwin | D Major | 7 | 10B | 110 BPM | ||
| Midnight In Madrid | Joe McBride | F Minor | 6 | 4A | 96 BPM | ||
| Forget-Me-Not | Marc Antoine | G Major | 7 | 9B | 98 BPM | ||
| What You Do To Me | Nick Colionne | B Minor | 7 | 10A | 95 BPM | ||
| Follow Your Bliss | Marc Antoine | C Major | 7 | 8B | 98 BPM | ||
| Exotica | Paul Taylor | C Major | 7 | 8B | 96 BPM | ||
| Mitch Mitch | Bona Fide, Marc Antoine | D Major | 8 | 10B | 120 BPM | ||
| The Way To You | Nelson Rangell | D Major | 6 | 10B | 92 BPM | ||
| Sweetness | Marc Antoine & Paul Brown | A Minor | 6 | 8A | 105 BPM | ||
| Silhouette | Jeff Golub | B♭ Minor | 5 | 3A | 95 BPM | ||
| Ready for Freddy | Brian Hughes | F Major | 8 | 7B | 122 BPM | ||
| I Want You Too | Dee Brown | F Minor | 8 | 4A | 105 BPM | ||
| And So But Then | Philippe Saisse Trio, Marc Antoine | G Major | 8 | 9B | 95 BPM | ||
| 110 Degrees and Rising | Kevin Toney | C Major | 9 | 8B | 98 BPM | ||
| For You | Brian Hughes | E Minor | 8 | 9A | 102 BPM | ||
| Freeway Jam | Brian Tarquin | C Major | 6 | 8B | 100 BPM | ||
| It's Only Human | Chris Geith | F Major | 9 | 7B | 98 BPM | ||
| Midnight At The Oasis | Steve Oliver | A♭ Major | 8 | 4B | 101 BPM | ||
| Bahia Funk - Remastered | Lee Ritenour | A♭ Major | 9 | 4B | 107 BPM | ||
| Water To Drink (Agua De Beber) | Lee Ritenour, Dave Grusin | D♭ Minor | 5 | 12A | 117 BPM | ||
| 'Til We're Together Again | Russ Freeman & The Rippingtons, Tony Morales, Kim Stone | A Minor | 8 | 8A | 146 BPM |