"Welcome to the Future" by Harry Callaghan had its release date on June 9, 2015. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Welcome to the Future's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Portal Stories: Mel (Original Soundtrack)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Welcome to the Future's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Welcome to the Future by Harry Callaghan having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Black Mesa Theme | morch kovalski | C Minor | 8 | 5A | 120 BPM | ||
| Alarming | Matt Christensen | F Major | 2 | 7B | 144 BPM | ||
| Confrontation | Spencer Baggett | D♭ Major | 9 | 3B | 120 BPM | ||
| Heirlooms | A Shell In The Pit | A♭ Major | 7 | 4B | 120 BPM | ||
| Eyes of Iron | Connor "12LBS" Skidmore | C Major | 3 | 8B | 136 BPM | ||
| Neotropolis | Karl Flodin | F Minor | 9 | 4A | 137 BPM | ||
| Sticky Situation | Karl Flodin | C Major | 6 | 8B | 114 BPM | ||
| Attack of the Glyphids | Sophus Alf, Troels Rohde Jørgensen | D♭ Major | 8 | 3B | 165 BPM | ||
| Rotten Legacy (Final Boss) | Tettix | D♭ Major | 7 | 3B | 80 BPM | ||
| Firestorm | Harry Callaghan | E Major | 4 | 12B | 120 BPM | ||
| Neutron Stars | Epic Mountain | G Major | 6 | 9B | 97 BPM | ||
| The Escapists 2 Intro | Oli Wood | E Minor | 8 | 9A | 100 BPM | ||
| Into the Tunnels | Matt Piersall | G Major | 9 | 9B | 128 BPM | ||
| War Is Peace (Redcon) | Kubatko | A Major | 6 | 11B | 120 BPM | ||
| Urban Jungle | James Primate | C Major | 1 | 8B | 120 BPM | ||
| Blacksite | Chris D'Ambrosio | D♭ Major | 2 | 3B | 85 BPM | ||
| Dew Point | Chris Christodoulou | F Major | 8 | 7B | 120 BPM | ||
| Sundown (Theme I) | James Primate | A Minor | 0 | 8A | 63 BPM | ||
| The BattleScene II | Arnaud Roy | F Minor | 3 | 4A | 122 BPM | ||
| Tropical Eden | Simon Chylinski | D Major | 2 | 10B | 145 BPM | ||
| Abbey or Die | Doseone | A♭ Minor | 9 | 1A | 132 BPM | ||
| Welcome to the Future | Harry Callaghan | E Major | 5 | 12B | 150 BPM | ||
| Risk of Rain | Chris Christodoulou | D Major | 4 | 10B | 119 BPM | ||
| Code and Registers | Matthew S Burns | B Minor | 8 | 10A | 174 BPM | ||
| The Last Empire (Nakalim Theme) | Arnaud Roy | E Minor | 6 | 9A | 92 BPM |