"Porgy and Bess / Act 1: "Summertime"" by George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, The Cleveland Orchestra, Lorin Maazel had its release date on January 1, 1976. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Gershwin, Willard White, McHenry Boatwright, Francois Clemmons, Leona Mitchell, Florence Quivar, Barbara Hendricks, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel's "Gershwin: Porgy & Bess" album is number 2 out of 42. On top of that, United Kingdom appears to be the country where this track was created. Porgy and Bess / Act 1: "Summertime" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Porgy and Bess / Act 1: "Summertime" by George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, The Cleveland Orchestra, Lorin Maazel to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
| Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
| Bizet: Carmen, WD 31, Act 2: "Nous avons en tête une affaire" (Le Dancaïre, Frasquita, Mercédès, Le Remendado, Carmen) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Nicolas Rivenq, Yann Beuron, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 77 BPM | ||
| Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
| Verdi: Otello, Act 4: "Ave Maria piena di grazia" (Desdemona) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 88 BPM | ||
| Messa da Requiem - Edited David Rosen: 2a. Dies Irae | Giuseppe Verdi, Anja Harteros, Elina Garanca, Jonas Kaufmann, René Pape, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Daniel Barenboim | D Minor | 0 | 7A | 106 BPM | ||
| Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Michel Plasson - Orchestre Du Capitole De Toulouse - Jose Antonio Sainz - Natalie Dessay - Malcolm Stewart - Choeur D'Enfants Midi Pyrenees - Orfeon Donostiarra, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 141 BPM | ||
| Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
| Manon, Act II: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM | ||
| La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
| Rigoletto / Act 3: Bella figlia dell'amore (Duca, Maddalena, Gilda, Rigoletto) | Giuseppe Verdi, Luciano Pavarotti, Denyce Graves, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 3 | 3B | 78 BPM | ||
| Norma, Act I: "Casta diva" | Vincenzo Bellini, Leontyne Price, Henry Lewis | F Major | 1 | 7B | 178 BPM | ||
| Bizet: Carmen, WD 31, Act 2 Scene 2: No. 14, Couplets, "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercedes, Carmen, Chorus) | Georges Bizet, Robert Massard/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Major | 3 | 7B | 116 BPM | ||
| La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symphony Orchestra, Tobias Ringborg | D Major | 2 | 10B | 89 BPM | ||
| Adriana Lecouvreur, Act I: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Die tote Stadt, Act I: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
| Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
| La Sonnambula (1997 - Remaster): Aria - Ah! non credea mirarti | Vincenzo Bellini, Tullio Serafin, Maria Callas | C Major | 1 | 8B | 81 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra Bastille | D♭ Major | 2 | 3B | 80 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM |