"Missing You" by George Robert, Tom Harrell Quintet had its release date on January 17, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 7 in Cape Verde by George Robert, Tom Harrell Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Missing You is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Missing You by George Robert, Tom Harrell Quintet is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Higher Grounds | Ingrid Jensen | F Minor | 2 | 4A | 90 BPM | ||
| Look Ahead | Fred Nardin | C Major | 6 | 8B | 135 BPM | ||
| Endless Rhythms of Love | Orión Natera | C Major | 3 | 8B | 115 BPM | ||
| Chi-Chi - Take 6 / Master | Charlie Parker Quartet | A♭ Major | 5 | 4B | 101 BPM | ||
| Lush Life | George Robert, Dado Moroni | E♭ Minor | 1 | 2A | 109 BPM | ||
| I've Grown Accustomed to Her Face | Alan Baylock Jazz Orchestra, Doc Severinsen | G Minor | 3 | 6A | 180 BPM | ||
| Jeannine - Remastered | The Cannonball Adderley Quintet | F♯ Major | 4 | 2B | 105 BPM | ||
| Morning Song | Randy Brecker | D Major | 3 | 10B | 89 BPM | ||
| Missing You | George Robert, Tom Harrell Quintet | B♭ Minor | 2 | 3A | 100 BPM | ||
| Together | George Robert | E♭ Major | 1 | 5B | 135 BPM | ||
| Joy Spring | Clifford Brown, Max Roach | A♭ Major | 3 | 4B | 82 BPM | ||
| Katerina Ballerina | Woody Shaw | C Minor | 3 | 5A | 140 BPM | ||
| Walking On the Beach | Tom Harrell | F Major | 6 | 7B | 132 BPM | ||
| The Break | Emil Kofod | B♭ Major | 2 | 6B | 206 BPM | ||
| 1944 Stomp | James Carter | A♭ Major | 4 | 4B | 114 BPM | ||
| Dear Old Stockholm | Silvano Bazan Trio, Phil Collins, George Robert | E♭ Major | 2 | 5B | 101 BPM | ||
| Groove Echo Chamber | Peter Martin, Gregory Hutchinson, Sarah Hanahan, Reuben Rogers | D♭ Major | 7 | 3B | 120 BPM | ||
| Nutville | Swiss Jazz Orchestra | A♭ Major | 7 | 4B | 136 BPM | ||
| Choro Blanco | Seamus Blake, Chris Cheek | C Major | 4 | 8B | 128 BPM | ||
| アイ・コンセントレイト・オン・ユー (ライヴ) | Sadao Watanabe | F Minor | 5 | 4A | 135 BPM | ||
| Isn't She Lovely? | Joe Alterman | A♭ Major | 5 | 4B | 76 BPM | ||
| Smoke | The Velvet Spiral Quartet | D Major | 6 | 10B | 71 BPM | ||
| Shade Of Jade | Roy Hargrove Quintet | F Minor | 4 | 4A | 133 BPM | ||
| Amor Até o Fim | Trio Corrente | D Minor | 5 | 7A | 113 BPM | ||
| Papa, Can You Hear Me (From "Yentl") | George Robert, Torben Oxbol | C Minor | 2 | 5A | 112 BPM |