On July 6, 2001, the song "Aaj Mausam Ba Bahut Laajbab" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Choodi Khanke Sawan Mein by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Aaj Mausam Ba Bahut Laajbab is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aaj Mausam Ba Bahut Laajbab by Madan Rai is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ae Haare Ke Sahare | Ram Kumar Lakkha | G Major | 9 | 9B | 120 BPM | ||
| Harahu Kalesh Hamar | Dilip Darbhangiya | F♯ Major | 9 | 2B | 107 BPM | ||
| Naihare Ke Chaar Go Yearwa | Vishnu Ojha | A♭ Major | 7 | 4B | 133 BPM | ||
| Radha Rani Ke Payaliya | Pawan Singh | B♭ Minor | 10 | 3A | 145 BPM | ||
| Bhomiya Ho Raja | Bhoma Ram Panwar | C Minor | 9 | 5A | 112 BPM | ||
| Teri Aarti Gavu | Rajendra Vyas | D Major | 7 | 10B | 101 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Aadhi - Aadhi Ratiya Ke | Madan Rai | A♭ Major | 7 | 4B | 106 BPM | ||
| Chal Ho Shahna (Shaktiwale Gaulan) | Prakash Pajane, Madhukar Yadav | D♭ Minor | 9 | 12A | 84 BPM | ||
| Radha Ras Gaane Ko | Premanand Maharaj Ji, Sonu Yadav | E Minor | 4 | 9A | 136 BPM | ||
| Yedu Namacha Elaaz | Chandan Kamble | A Major | 8 | 11B | 99 BPM | ||
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM | ||
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Koi Bole Tripurari | Rajkumar Bhardwaj, Anand Raj Anand | G Major | 9 | 9B | 120 BPM | ||
| Janiti Je Jaral Jaibu | Bharat Sharma Vyas | F Minor | 5 | 4A | 81 BPM | ||
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Chunariya Mein Daag Lag Gail | Madan Rai | F♯ Major | 6 | 2B | 147 BPM | ||
| Khela Shesh Tor Korene Mon | Gostho Gopal Das | F♯ Major | 7 | 2B | 91 BPM | ||
| Mahima Gaau Thari Baba Ramdevji Bhajan | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Baajna Kahela Hum Baajab | Aarti Mishra, Madan Rai, Tarun Toofani | E♭ Major | 8 | 5B | 94 BPM | ||
| Martaba Naam Aur Izzat | Chhote Majid Shola | B♭ Major | 5 | 6B | 103 BPM | ||
| Japakarojapa Karo Shri Ram | Dhiraj Sharma | A♭ Major | 5 | 4B | 136 BPM | ||
| Mazya Nayani Tu Sajani | Yuvraj Pradhan | D♭ Major | 7 | 3B | 150 BPM | ||
| Taiba Se Chitthi Aa Hi Gayee | Jani Babu | F Major | 7 | 7B | 94 BPM | ||
| Heera Gawa Gayo | Mithlesh Sahu | F Minor | 9 | 4A | 157 BPM |