Johann Sebastian Bach, Beatrice Rana, Amsterdam Sinfonietta's 'Bach, JS: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo' had a release date set for March 21, 2025. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Bach, JS: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 12 in Bach: Keyboard Concertos, BWV 1052, 1053, 1054 & 1056 by Johann Sebastian Bach, Beatrice Rana, Amsterdam Sinfonietta. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo by Johann Sebastian Bach, Beatrice Rana, Amsterdam Sinfonietta is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 141 | Martha Argerich | F♯ Major | 3 | 2B | 104 BPM | ||
| Canon, P.37 (Arr. for Piano four hands by Martin Stadtfeld) | Johann Pachelbel, Martin Stadtfeld, Lilian Akopova | C Major | 4 | 8B | 131 BPM | ||
| Les Pêcheurs de perles, GB. 4, WD. 13: Je crois entendre encore (Arr. for Cello Octet by Roland Pidoux) | Georges Bizet, Cello8, Raphael Pidoux | A Minor | 1 | 8A | 84 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
| Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
| Cello Concerto No. 6 in D Major, G. 479: II. Adagio | Luigi Boccherini, Steven Isserlis, Orchestra of the Age of Enlightenment | A Major | 0 | 11B | 71 BPM | ||
| The Art Of Fugue, BWV 1080: [Contrapunctus 14] (Compl. by Daniil Trifonov) | Daniil Trifonov, Johann Sebastian Bach | F Major | 0 | 7B | 112 BPM | ||
| 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Minor | 2 | 2A | 81 BPM | ||
| Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Maurizio Baglini, Marcello Mazzoni, Andrea Padova, Marco Scolastra, I Solisti Filarmonici Italiani, Federico Guglielmo | A Minor | 5 | 8A | 101 BPM | ||
| Handel: Keyboard Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Orfeo ed Euridice: Melody (Arr. G. Sgambati) | Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 73 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: I. Largamente e cantato | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 96 BPM | ||
| Bach, JS: Concerto for 2 Pianos in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, David Fray, Emmanuel Christien, Orchestre National Du Capitole De Toulouse | C Minor | 0 | 5A | 179 BPM | ||
| Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Leif Ove Andsnes | D♭ Major | 0 | 3B | 69 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
| Suite For Cello Solo No.1 In G Major, BWV 1007: 1. Prelude - Arr. for Baritone Guitar by Slava Grigoryan | Slava Grigoryan, Johann Sebastian Bach | D Minor | 2 | 7A | 125 BPM | ||
| Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
| Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande (Orch. Equilbey) | George Frideric Handel, Laurence Equilbey, Insula Orchestra | G Major | 3 | 9B | 70 BPM | ||
| Lieder ohne Worte, Op. 19b: No. 6 in G Minor. Andante sostenuto, MWV U 78 "Venetian Gondola Song" | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
| Concerto in C Major, BWV 1064 (arr. for 3 violins and orchestra): II. Adagio | Johann Sebastian Bach, Elisabeth Kufferath, Christine Pichlmeier, Winfried Rademacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 67 BPM | ||
| Variations for the Healing of Arinushka | Georgijs Osokins, Arvo Pärt | A Minor | 0 | 8A | 94 BPM | ||
| Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Laurence Equilbey, Insula orchestra | D Major | 2 | 10B | 112 BPM |