"Variations on a Theme of Tchaikovsky, Op. 35a: Var. III. Andantino tranquillo - Live" by Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov had its release date on October 14, 2022. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Variations on a Theme by Tchaikovsky, Op. 35a (Live) by Anton Arensky, Pavel Lyubomudrov, Metamorphose String Orchestra. The song's track number on the album is #4 out of 9 tracks. Based on our data, Italy was the country where this track was produced or recorded. Variations on a Theme of Tchaikovsky, Op. 35a: Var. III. Andantino tranquillo - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Variations on a Theme of Tchaikovsky, Op. 35a: Var. III. Andantino tranquillo - Live by Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Variations on a Theme of Tchaikovsky, Op. 35a: Var. III. Andantino tranquillo - Live being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Violin and Cello, Op. 102 in A Minor: II. Andante | Johannes Brahms, Leoš Čepický, Michal Kaňka, Stanislav Vavřínek, Komorní filharmonie Pardubice | D Major | 1 | 10B | 96 BPM | ||
| L'art du chant appliqué au piano, Op. 70: No. 16b, Là ci darem la mano (After Mozart's K. 527) | Sigismond Thalberg, Paul Wee | A Major | 0 | 11B | 96 BPM | ||
| 3 Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Koji Morishita | D♭ Major | 1 | 3B | 131 BPM | ||
| Chanson de matin, Op. 15 No. 2 | Edward Elgar, Geneviève Laurenceau, Jean-Frédéric Neuburger | E♭ Major | 0 | 5B | 93 BPM | ||
| Elgar: Violin Sonata in E Minor, Op. 82: II. Romance. Andante | Renaud Capuçon, Stephen Hough | E♭ Major | 0 | 5B | 93 BPM | ||
| Concerto for 2 Pianos, FP. 61: III. Allegro molto | Francis Poulenc, Leonard Bernstein, New York Philharmonic, Artur Gold, Robert Fizdale | A Minor | 3 | 8A | 100 BPM | ||
| 7 Morceaux de salon, Op. 10: No. 7, Mazurka | Sergei Rachmaninoff, Boris Giltburg | E♭ Major | 0 | 5B | 93 BPM | ||
| Five pieces for Two Violins and Piano: III. Elegy- Andantino | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B♭ Minor | 0 | 3A | 103 BPM | ||
| 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 86 BPM | ||
| 6 Nocturnes, Op. 186: Nocturne No. 4: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | D Major | 0 | 10B | 86 BPM | ||
| Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | B Minor | 3 | 10A | 87 BPM | ||
| 5 Petits duos, Op. 56: No. 2, Berceuse | César Cui, Lev Polyakin, Martha Aarons, Frances Renzi | D Major | 0 | 10B | 86 BPM | ||
| Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied. Allegretto | Fanny Mendelssohn, Trio Chausson | D Major | 1 | 10B | 79 BPM | ||
| Piano Trio No. 1 in D minor, Op. 32: 2. Scherzo: Allegro molto | Anton Arensky, Beaux Arts Trio | F Major | 2 | 7B | 86 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IIIa. Allegro moderato – Molto meno mosso | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Douze valses, Le ruban dénoué: No. 3, Souvenir… Avenir… | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | E Major | 1 | 12B | 108 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| Serenade für Streicher, Op. 6: II. Allegro ma non troppo | Josef Suk, Jaroslav Krcek | F♯ Major | 1 | 2B | 81 BPM | ||
| Sinfonietta, FP 141: I. Allegro con fuoco | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 111 BPM | ||
| Nocturne in D-Flat Major, Op. 8 | Sergei Lyapunov, Elena Gaponenko | D♭ Major | 1 | 3B | 59 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | E♭ Major | 0 | 5B | 93 BPM | ||
| Larghetto in G Major, Op. 11: I. Larghetto espressivo | Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka | B Major | 2 | 1B | 100 BPM | ||
| Variations on a Theme by C.H., Op. 57: Var. 11. Quasi Fantasia – Lento | Xaver Scharwenka, Seta Tanyel | D♭ Minor | 0 | 12A | 75 BPM | ||
| Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Hee-young Lim, Chuhui Liang | G Major | 1 | 9B | 171 BPM |