"4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano)" by Frank Bridge, Gerald Peregrine, Antony Ingham had its release date on May 10, 2019. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 16 in Folk Tales by Gerald Peregrine, Antony Ingham. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) by Frank Bridge, Gerald Peregrine, Antony Ingham is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lament, H. 117 | Frank Bridge, John Wilson, Sinfonia Of London | A♭ Major | 0 | 4B | 130 BPM | ||
| Elegi, H. 47 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| Serenade, H. 23 (Arr. for Viola & Piano by Dana Dörken and Adrien La Marca) | Frank Bridge, Danae Dörken, Adrien La Marca | G Major | 0 | 9B | 138 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Humoresques, Op. 101, B. 187: VII. Poco lento e grazioso | Antonín Dvořák, Tiffany Poon | B♭ Major | 0 | 6B | 66 BPM | ||
| 2 Pieces for the Left Hand, Op. 9: No. 1, Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | A Major | 0 | 11B | 126 BPM | ||
| The Sea Suite: I. Seascape | Frank Bridge, Vernon Handley, Ulster Orchestra | F♯ Minor | 1 | 11A | 138 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Speak Softly My Love | Gerald Peregrine | C Minor | 2 | 5A | 64 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| 3 Romances sans paroles, Op. 17: No. 3, Andante moderato | Gabriel Fauré, Antoine Préat | A♭ Major | 0 | 4B | 69 BPM | ||
| 3 Visions: No. 2, Summerland | William Grant Still, Bruce Levingston | F♯ Major | 0 | 2B | 67 BPM | ||
| 10 Duos, Op. 53: No. 3, Con moto | Reinhold Glière, Martin Rummel, Alexander Hülshoff | A Major | 1 | 11B | 92 BPM | ||
| Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia | D♭ Minor | 0 | 12A | 75 BPM | ||
| Suite from The Victorian Kitchen Garden: II. Spring | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 75 BPM | ||
| Columbine | John Ireland, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
| Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | ||
| Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | D Major | 1 | 10B | 75 BPM | ||
| To Lizbie Brown, Op.15, No.7 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 73 BPM | ||
| 8 Easy Pieces, Op. 43: No. 1, Prélude | Reinhold Glière, Alton Chung Ming Chan | D♭ Major | 0 | 3B | 66 BPM |