- BPM
- 130
- Key
- E♭ Major
- Camelot
- 5B
Columbine by John Ireland, Antony Ingham Song Details
"Columbine" by John Ireland, Antony Ingham had its release date on May 10, 2024. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 21 in Folk Tales, Vol. 2: British & Irish Miniatures by Gerald Peregrine, Antony Ingham, Lynda O'Connor. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Columbine's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Columbine by John Ireland, Antony Ingham is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -26.22 dB
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 2%
- Instrumentalness
- 96%
- Liveness
- 15%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 16%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | |
 | Psaume 115 "Je crois, et je parlerai" | Yves Castagnet, Maîtrise de Saint-Christophe de Javel, Henri Chalet | D Major | 0 | 10B | 67 BPM | |
 | Ubi Caritas | Ola Gjeilo, Westminster Williamson Voices, James Jordan | F♯ Minor | 1 | 11A | 98 BPM | |
 | カプリオール組曲: II. Pavane | Peter Warlock, 石田組 | B♭ Major | 1 | 6B | 82 BPM | |
 | Vallflickans Dance (Dance of the Shepherdess from the ballet-pantomime Bergakungen, Op. 37) | Hugo Alfvén, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Major | 1 | 9B | 147 BPM | |
 | Elegy from A Downland Suite | John Ireland, Black Dyke Mills Band, Major Peter Parkes, Phillip McCann | D♭ Major | 0 | 3B | 66 BPM | |
 | Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | |
 | All-Night Vigil, Op.37: All-Night Vigil, Op.37: VI. Rejoice, O Virgin | Sergei Rachmaninoff, Estonian Philharmonic Chamber Choir, Paul Hillier | E Major | 3 | 12B | 124 BPM | |
 | For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | A Major | 1 | 11B | 70 BPM | |
 | Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | A Minor | 0 | 8A | 69 BPM | |
 | Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | |
 | Taverner: Missa Gloria Tibi Trinitas - Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | F Minor | 1 | 4A | 130 BPM | |
 | Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | |
 | Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | |
 | Three Masefield Ballads: Sea Fever | John Ireland, Philippe Sly, Michael McMahon | E Minor | 1 | 9A | 69 BPM | |
 | Serse, HWV 40, Act I: "Ombra mai fu" | George Frideric Handel, Cai Thomas, The Bourne Ensemble, Robert Lewis | G Major | 1 | 9B | 177 BPM | |
 | A Severn Rhapsody, Op. 3 | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 62 BPM | |
 | Villanella | John Ireland, Mark Bebbington | G Major | 0 | 9B | 128 BPM | |
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | |
 | 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 4, Forlana. Allegretto grazioso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 1 | 2B | 96 BPM | |
 | 3 Shakespeare Choruses, Op. 39: No. 2, Come unto these yellow sands | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | B♭ Major | 1 | 6B | 77 BPM | |
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | |
 | Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | |
 | As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | |
 | Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM |
- ISRC
- HKI192315409
- Label
- L-M Records/RCA Records