"Three Masefield Ballads: Sea Fever" by John Ireland, Philippe Sly, Michael McMahon had its release date on April 15, 2014. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Three Masefield Ballads: Sea Fever's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philippe Sly's "Love's Minstrels" album is number 5 out of 21. Three Masefield Ballads: Sea Fever is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Three Masefield Ballads: Sea Fever by John Ireland, Philippe Sly, Michael McMahon to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 124 BPM | ||
| Epic March: Epic March | John Ireland, Sinfonia Of London, John Wilson | C Minor | 2 | 5A | 138 BPM | ||
| The Beginning of the Day | Anne Boyd, Adelaide Symphony Orchestra, Ron Spigelman | F Minor | 1 | 4A | 132 BPM | ||
| Virtuefaith | Lautenor | E Major | 3 | 12B | 74 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 2, Romance. Andante tranquillo | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 1 | 7A | 90 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: I. Ubi caritas | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | D Major | 0 | 10B | 78 BPM | ||
| Songs of Love: III. I Sing Because | Will Todd, Christopher Finch, Wellensian Consort, Will Todd Ensemble | E Minor | 3 | 9A | 144 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | E Major | 3 | 12B | 74 BPM | ||
| Otcenáš (Our Father), JW IV/29: Bud vule tvá (Thy will be done) (Revised 1906) | Leoš Janáček, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Johannes Wik, Karstein Askeland, Gábor Bretz, Thomas Trotter, Bergen Philharmonic Choir | F Major | 1 | 7B | 80 BPM | ||
| Love Divine (2000) | Howard Goodall, Stephen Darlington, London Musici | D♭ Major | 1 | 3B | 136 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| Schaffe in mir, Gott, ein rein Herz, Op. 29, No. 2 | Johannes Brahms, Windsbacher Knabenchor, Martin Lehmann | G Major | 1 | 9B | 83 BPM | ||
| Mass for Double Choir: III. Credo | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 135 BPM | ||
| The Hills | John Ireland, Hallé, Lyn Fletcher, Halle Choir, Sir Mark Elder | B♭ Major | 1 | 6B | 70 BPM | ||
| A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 88 BPM | ||
| The Bells of San Marie: It's Pleasant in Holy Mary by San Marie lagoon | John Ireland, Bryn Terfel, Malcolm Martineau | F Major | 1 | 7B | 97 BPM | ||
| Baptism (Arr. for Choir & Piano by Spencer Baldwin) | Crawford Gates, BYU Singers, James Monson | E Major | 3 | 12B | 74 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin Mother | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | G Minor | 0 | 6A | 144 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1, Hymn to the Dawn | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | G Major | 0 | 9B | 79 BPM | ||
| The Seasons, Op. 67: X. Barcarolle | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
| Hail Gladdening Light | Charles Wood, The Mancunium Consort | A Major | 2 | 11B | 73 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| 5 Lieder, Op. 49: No. 4, Wiegenlied "Guten Abend, gut Nacht" (Transcr. Gottwald for Choir) | Johannes Brahms, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 104 BPM |