"A Shropshire Lad" by George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult had its release date on April 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 11 in Boult Conducts Butterworth, Warlock, Hadley & Howells by London Philharmonic Orchestra, New Philharmonia Orchestra, Sir Adrian Boult. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. A Shropshire Lad is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Shropshire Lad by George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite: A-Roving | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 144 BPM | ||
| Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM | ||
| Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme | Benjamin Britten, English Chamber Orchestra | F Major | 0 | 7B | 84 BPM | ||
| The Seasons, Op. 67: VII. Scene 2, Le Printemps | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | E Major | 1 | 12B | 81 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir John Barbirolli, New Philharmonia Orchestra | F Major | 0 | 7B | 87 BPM | ||
| Norfolk Rhapsody No. 2 | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | F Major | 0 | 7B | 99 BPM | ||
| In a Summer Garden | Vernon Handley | C Major | 0 | 8B | 73 BPM | ||
| Lyric Suite, Op. 54: IV. Troldtog (March of the Dwarfs) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | B♭ Major | 1 | 6B | 118 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Suk: Serenade for Strings in E-Flat Major, Op. 6: IV. Allegro giocoso ma non troppo presto | Josef Suk, Christopher Warren-Green, Andrew Shulman, Lyn Fletcher, Roger Chase, Nigel Warren-Green, London Chamber Orchestra | B♭ Major | 2 | 6B | 106 BPM | ||
| Sailing By | Ronald Binge, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 0 | 10B | 89 BPM | ||
| The Planets Suite, Op. 32: III. Mercury | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | D Minor | 1 | 7A | 125 BPM | ||
| Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | ||
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): III. Andante moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | N/A | N/A | N/A | 0 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | B♭ Major | 1 | 6B | 109 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: Adagio sostenuto | Eileen Joyce, London Philharmonic Orchestra, Erich Leinsdorf | E Major | 0 | 12B | 139 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 1 in G Minor (arr. For orchestra) [Orch. J. Brahms] | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | G Minor | 2 | 6A | 133 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| The Lark Ascending | Ralph Vaughan Williams, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 89 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": IV. Maestoso. Allegro | Camille Saint-Saëns, Yannick Nézet-Séguin, James O'Donnell, London Philharmonic Orchestra | C Major | 4 | 8B | 105 BPM | ||
| Daphnis et Chloé, M. 57: I. Introduction et Danse Religieuse | Maurice Ravel, Valery Gergiev, London Symphony Chorus, London Symphony Orchestra | B Minor | 1 | 10A | 131 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM |