Daphnis et Chloé, M. 57: I. Introduction et Danse Religieuse by Maurice Ravel, Valery Gergiev, London Symphony Chorus, London Symphony Orchestra Song Details

"Daphnis et Chloé, M. 57: I. Introduction et Danse Religieuse" by Maurice Ravel, Valery Gergiev, London Symphony Chorus, London Symphony Orchestra had its release date on November 9, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Ravel: Daphnis et Chloé". In this album, this song's track order is #1. Based on our statistics, Daphnis et Chloé, M. 57: I. Introduction et Danse Religieuse's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Daphnis et Chloé, M. 57: I. Introduction et Danse Religieuse by Maurice Ravel, Valery Gergiev, London Symphony Chorus, London Symphony Orchestra having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 18%
Loudness: -24.703 dB
Acousticness: 93%
Danceability: 16%
Energy: 6%
Instrumentalness: 90%
Liveness: 14%
Loudness: 59%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace	Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn	B Major	1	1B	142 BPM
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered	Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra	F Major	1	7B	119 BPM
Symphony No. 5 in D Minor, Op. 107, MWV N15 "Reformation": III. Andante	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	G Minor	0	6A	67 BPM
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	E Minor	1	9A	125 BPM
Nocturnes, L. 91: 3. Sirènes	Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton	F♯ Major	1	2B	93 BPM
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight	Benjamin Britten, André Previn, London Symphony Orchestra	G Minor	1	6A	117 BPM
Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba	Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik	D♭ Major	3	3B	132 BPM
Piano Concerto No. 1 in C Minor, Op 33: III. Coda. Allegro molto	Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra	F♯ Major	1	2B	105 BPM
Symphony No. 6 in A Minor: II. Andante Moderato	Gustav Mahler, Valery Gergiev, London Symphony Orchestra	B♭ Major	0	6B	129 BPM
Symphony No. 9: IVd. A tempo. Molto adagio - Live at Philharmonie, Berlin, 1982	Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan	G Minor	1	6A	82 BPM
Prince Igor: Overture	Alexander Borodin, London Symphony Orchestra, Sir Georg Solti	B♭ Major	2	6B	76 BPM
Rapsodie espagnole, M. 54: II. Malagueña	Maurice Ravel, Ensemble Musica Nigella, Takénori Némoto, Pablo Schatzman	B Minor	5	10A	135 BPM
Prokofiev: Romeo and Juliet, Op. 64, Act 3, Epiloque: Juliet's Funeral	Sergei Prokofiev, André Previn, London Symphony Orchestra	C Major	1	8B	105 BPM
6 Moments musicaux, Op. 16: No. 1, Andantino	Sergei Rachmaninoff, Boris Giltburg	E Minor	2	9A	126 BPM
Symphony No. 2 in B Minor: II. Scherzo	Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra	F Major	1	7B	83 BPM
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	G Major	1	9B	88 BPM
Violin Concerto in D Major, Op. 35: I. Moderato nobile	Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi	D Major	1	10B	88 BPM
Prince Igor (Knyaz Igor): Overture	Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	G Minor	1	6A	73 BPM
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso	Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker	A♭ Minor	1	1A	84 BPM
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante	Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin	E♭ Major	0	5B	81 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia	William Walton, London Symphony Orchestra, Sir Colin Davis	F Major	2	7B	153 BPM
Lemminkainen Suite, Op. 22: IV. Lemminkainen's Return	Jean Sibelius, Daði Kolbeinsson, Richard Tchaikovsky, Iceland Symphony Orchestra, Petri Sakari	E♭ Major	2	5B	72 BPM