"The Lark Ascending" by Ralph Vaughan Williams, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton had its release date on 2007. This song appears to be safe for all ages as it is not explicit. Since Vaughan Williams: The Lark Ascending only contains only one song in the album, we like to consider this song as a single. Based on our data, United Kingdom was the country where this track was produced or recorded. The Lark Ascending is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Lark Ascending by Ralph Vaughan Williams, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Lark Ascending being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song For Athene | John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | B♭ Major | 0 | 6B | 97 BPM | ||
| This Woman's Work (Arr. Lawson) | Kate Bush, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | D♭ Major | 2 | 3B | 78 BPM | ||
| Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 82 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 98 BPM | ||
| Serenade in A Minor: IV. Romance - Andantino - Appassionato | Ralph Vaughan Williams, Royal Scottish National Orchestra, Martin Yates | F Major | 1 | 7B | 82 BPM | ||
| Fantasia on Greensleeves | Traditional, Ralph Vaughan Williams, Britten Sinfonia, Nicholas Cleobury | C Minor | 1 | 5A | 87 BPM | ||
| Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
| Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin | B Minor | 1 | 10A | 70 BPM | ||
| Eclogue for Piano and Strings, Op. 10 | Gerald Finzi, Peter Donohoe, Royal Northern Sinfonia, Howard Griffiths | F Minor | 1 | 4A | 66 BPM | ||
| Pärt: Spiegel im Spiegel | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 80 BPM | ||
| A Moorside Suite: II. Nocturne (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | A Minor | 0 | 8A | 57 BPM | ||
| The Yellow Cake Review: III. Farewell to Stromness | Peter Maxwell Davies, Katharine Durran | D Major | 0 | 10B | 104 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto - Live at CCK, Buenos Aires / 2019 | Ludwig van Beethoven, Daniel Barenboim, West-Eastern Divan Orchestra | E Minor | 1 | 9A | 124 BPM | ||
| Fantasia on Greensleeves | Ralph Vaughan Williams, BBC Concert Orchestra, Barry Wordsworth | C Minor | 0 | 5A | 96 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| The Blue Mountains | Sally Greenaway, Graham Ross, Royal College of Music Symphony Orchestra | A Minor | 1 | 8A | 91 BPM | ||
| Sospiri, Op. 70 (Arr. Violin and Piano) | Edward Elgar, Nicola Benedetti, Petr Limonov | D Minor | 0 | 7A | 93 BPM | ||
| Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
| Norfolk Rhapsody No. 1 | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien | C Minor | 1 | 5A | 105 BPM | ||
| Ladies in Lavender | Nigel Hess, Sergeant Neslihan Jordan, Cpl Neslihan Jordan, Central Band Of The Royal Air Force | D Major | 1 | 10B | 62 BPM | ||
| Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | ||
| Symphony No. 5 in C-Sharp Minor: IV. Adagietto | London Philharmonic Orchestra | F Major | 2 | 7B | 85 BPM | ||
| Cavalleria rusticana: Intermezzo (Arr. Holt) | Pietro Mascagni, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | F Major | 2 | 7B | 180 BPM |