Norfolk Rhapsody No. 1 by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra Song Details

"Norfolk Rhapsody No. 1" by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra had its release date on February 1, 1987. This song appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Norfolk Rhapsody by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, London Symphony Orchestra, Michael Davis. The song's track number on the album is #1 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Norfolk Rhapsody No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Norfolk Rhapsody No. 1 by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Norfolk Rhapsody No. 1 being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 18%
Loudness: -22.07 dB
Acousticness: 97%
Danceability: 9%
Energy: 7%
Instrumentalness: 72%
Liveness: 30%
Loudness: 63%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
4th Movement: Allegro Con Fuocho	London Philharmonic Orchestra	E Minor	1	9A	140 BPM
Symphony No. 1 in E Minor: II. Largo, maestoso	Florence Beatrice Price, Fort Smith Symphony, John Jeter	C Minor	1	5A	132 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Mahler: Symphony No. 10 in F-Sharp Major: III. Purgatorio. Allegro moderato (1972 Cooke Version)	Gustav Mahler, Sir Simon Rattle, Bournemouth Symphony Orchestra	F Minor	1	4A	179 BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
Symphony No. 1, "a Sea Symphony": II. On the Beach at Night, alone	Ralph Vaughan Williams, Joan Rodgers, Christopher Maltman, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Paul Daniel	C Major	0	8B	82 BPM
A Downland Suite: III. Minuet	John Ireland, English String Orchestra, William Boughton	B♭ Major	0	6B	116 BPM
Wood Notes: II. Autumn Night: Lightly	William Grant Still, Fort Smith Symphony, John Jeter	D Minor	0	7A	65 BPM
Fantasia on a Theme by Thomas Tallis	Ralph Vaughan Williams, Iona Brown, Trevor Connah, Stephen Shingles, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner	C Major	1	8B	94 BPM
Symphony No. 3 - 'Pastoral Symphony': III. Moderato pesante	Ralph Vaughan Williams, Hallé, Sir Mark Elder	G Minor	1	6A	132 BPM
Symphony No. 1 in G Minor: II. Andante commodamente	Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar	E♭ Major	0	5B	75 BPM
Petite suite de concert, Op. 77: II. Demande et reponse	Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman	G Major	0	9B	90 BPM
DANCE: V. when you’re perfectly free	Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop	G Major	3	9B	113 BPM
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo	Antonín Dvořák, London Philharmonic Orchestra, Zdeněk Mácal	D♭ Major	0	3B	78 BPM
Die tote Stadt, Act I: Mariettas Lied	Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits	B♭ Major	3	6B	94 BPM
Quiet City	Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill	F Major	0	7B	72 BPM
2nd Movement: Largo	London Philharmonic Orchestra	D♭ Major	0	3B	74 BPM
Symphony No. 3 in F Major, Op. 90: II. Andante	Johannes Brahms, London Philharmonic Orchestra, Marin Alsop	B♭ Major	1	6B	128 BPM
Fauré: Pavane, Op. 50	Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas	F♯ Minor	0	11A	62 BPM
Florida Suite: IV. At Night	Frederick Delius, English Northern Philharmonia, David Lloyd-Jones	C Major	1	8B	74 BPM
DANCE: III. in the middle of the fighting	Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop	A Minor	1	8A	82 BPM
Song For Athene	John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton	B♭ Major	0	6B	97 BPM
Charterhouse Suite: Rondo	Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones	C Major	1	8B	55 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": IV. Maestoso. Allegro	Camille Saint-Saëns, Yannick Nézet-Séguin, James O'Donnell, London Philharmonic Orchestra	C Major	4	8B	105 BPM
A Downland Suite: II. Elegy	John Ireland, Sinfonia Of London, John Wilson	E♭ Major	0	5B	57 BPM