"Mahler: Symphony No. 10 in F-Sharp Major: III. Purgatorio. Allegro moderato (1972 Cooke Version)" by Gustav Mahler, Sir Simon Rattle, Bournemouth Symphony Orchestra had its release date on January 1, 1980. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Deryck Cooke, Gustav Mahler, Sir Simon Rattle, Bournemouth Symphony Orchestra's "Mahler: Symphony No. 10" album is number 3 out of 5. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Mahler: Symphony No. 10 in F-Sharp Major: III. Purgatorio. Allegro moderato (1972 Cooke Version) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mahler: Symphony No. 10 in F-Sharp Major: III. Purgatorio. Allegro moderato (1972 Cooke Version) by Gustav Mahler, Sir Simon Rattle, Bournemouth Symphony Orchestra to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tristan und Isolde / Act 1: Prelude - Langsam und smachtend | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | E Major | 1 | 12B | 85 BPM | ||
| Lohengrin, Act I: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
| Der fliegende Holländer: Overture | Richard Wagner, Chicago Symphony Orchestra, Sir Georg Solti | D Minor | 3 | 7A | 91 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 86 BPM | ||
| Piano Concerto No.2 In B Flat, Op.83: 4. Allegretto grazioso - Un poco più presto | Johannes Brahms, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | B♭ Major | 2 | 6B | 107 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
| Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 137 BPM | ||
| Symphony No. 2 in C Minor "Resurrection": V. Sehr langsam und gedehnt | Gustav Mahler, Brieley Cutting, Angela Turner, Stephen Emmerson, Stewart Kelly | D Major | 0 | 10B | 129 BPM | ||
| Tone Poems: Träumerei am Kamin | Richard Strauss, Orchestre Philharmonique De Strasbourg, Marc Albrecht | A♭ Major | 1 | 4B | 111 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
| Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
| Khovanshchina: Prelude. Dawn on the Moscow River | Modest Mussorgsky, Orchester der Wiener Staatsoper, Claudio Abbado | D♭ Major | 0 | 3B | 99 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 81 BPM | ||
| Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
| Pelléas et Mélisande, Op. 80, Suite: IV. La mort de Mélisande | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
| Komm, süsser Tod, BWV 478 (Arr. L. Stokowski for orchestra) | Johann Sebastian Bach, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 67 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Orchestre de Paris, Klaus Mäkelä | A Major | 1 | 11B | 100 BPM | ||
| Enigma Variations, Op. 36: Var. 5. Moderato "R.P.A." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM |