"Humanity Please" by John Escreet had its release date on October 12, 2018. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Humanity Please's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Escreet's "Learn to Live" album is number 10 out of 10. Humanity Please is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Humanity Please by John Escreet to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oblique Words | Kristóf Bacsó, Kristóf Bacsó Triad, Aron Talas, Márton Juhász, Istvan Toth | D♭ Major | 6 | 3B | 163 BPM | ||
| One O´clock Junk | Scandinavian Art Ensemble, Tomasz Stańko | B♭ Minor | 3 | 3A | 114 BPM | ||
| Stansted | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | C Minor | 4 | 5A | 115 BPM | ||
| Consent (for Stijn) | Nabou | D♭ Major | 5 | 3B | 135 BPM | ||
| Umber | Haxholm Schmidt Moras, Rasmus Schmidt, Morten Haxholm, John Escreet, Seamus Blake | C Major | 5 | 8B | 115 BPM | ||
| Replay | Jahari Stampley, Jongkuk Kim, Stefan Haerle, Derrick Hodge, Stephane Clemente, Nicholas Creus | F Major | 7 | 7B | 115 BPM | ||
| Stilts | Rasmus Sørensen | C Major | 2 | 8B | 98 BPM | ||
| 7 Libras | Jure Pukl, John Escreet, Joe Sanders, Christian Lillinger | B♭ Minor | 6 | 3A | 100 BPM | ||
| Ode To Bach | Tia Fuller, Shamie Royston, Fuller Sound | D♭ Major | 5 | 3B | 135 BPM | ||
| They Can See | John Escreet, David Binney, Eivind Opsvik, Nasheet Waits | A♭ Minor | 6 | 1A | 120 BPM | ||
| Southern Cross | Ryan Brake, John Escreet | D♭ Major | 4 | 3B | 96 BPM | ||
| Restlessness | John Escreet, David Binney, Eivind Opsvik, Nasheet Waits | C Minor | 2 | 5A | 116 BPM | ||
| Soundcheck | Vladimir Torres, Damien Groleau | B Minor | 6 | 10A | 72 BPM | ||
| Dreams We Hold | Dave Douglas | D♭ Major | 5 | 3B | 135 BPM | ||
| Where’s Sven | Ryan Brake, John Escreet | D♭ Major | 4 | 3B | 96 BPM | ||
| Digit | Logan Kane, David Binney, Mark Turner, John Escreet, Benjamin Ring | D♭ Major | 7 | 3B | 174 BPM | ||
| Blues On The Corner | Alex Sipiagin, Will Vinson, John Escreet, Makar Novikov, Donald Edwards | D Major | 5 | 10B | 109 BPM | ||
| Golden Step | Double You | D♭ Major | 5 | 3B | 135 BPM | ||
| NOUAKCHOTT | Frank Woeste, Franck Agulhon | D♭ Major | 5 | 3B | 135 BPM | ||
| Crying from the Shrapnel (bonus track) | Jay Phelps, Nasheet Waits, David Binney, John Escreet | C Major | 3 | 8B | 110 BPM | ||
| Lotus | Kendrick Scott Oracle | E Minor | 2 | 9A | 134 BPM | ||
| Dreams and Wishes | Suzan Veneman, Tijs Klaassen, Wouter Kühne | A♭ Minor | 2 | 1A | 122 BPM | ||
| Annwn | Will Barnes Quartet, Will Barnes | E Minor | 3 | 9A | 136 BPM | ||
| Band-Aid | Henning Ullén, Mats Sandahl, Nils Agnas | B♭ Minor | 4 | 3A | 104 BPM | ||
| Happy Ever After is so Once Upon a Time | Haxholm Schmidt Moras, Rasmus Schmidt, Morten Haxholm, John Escreet, Seamus Blake | D Minor | 1 | 7A | 103 BPM |