Archetypes Collide's ' "Becoming What I Hate" was released on its scheduled release date, January 15, 2021. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Becoming What I Hate and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Becoming What I Hate's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Becoming What I Hate by Archetypes Collide is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Delete Me | Shallowsky | E♭ Minor | 10 | 2A | 101 BPM | ||
| Intoxicated Haze | Self Deception | A♭ Major | 9 | 4B | 76 BPM | ||
| Memories | Beyond Unbroken | F♯ Minor | 10 | 11A | 92 BPM | ||
| The Flood | Major Moment | F Minor | 8 | 4A | 111 BPM | ||
| One More Night | From the Ash | C Minor | 9 | 5A | 145 BPM | ||
| Uncomfortably Numb | Everrest | E Minor | 10 | 9A | 155 BPM | ||
| LEPER'S BELL | Outsider Heart | B♭ Minor | 9 | 3A | 130 BPM | ||
| Killing Time | Devour the Day | C Major | 8 | 8B | 95 BPM | ||
| Cut Me Open | Of Virtue | D♭ Major | 10 | 3B | 170 BPM | ||
| Heartless | As The Structure Fails | B Major | 8 | 1B | 111 BPM | ||
| Bouquet | Glass Hands | F♯ Major | 9 | 2B | 115 BPM | ||
| Demons Within | VEMØD | G Major | 9 | 9B | 95 BPM | ||
| Becoming What I Hate | Archetypes Collide | A Minor | 7 | 8A | 130 BPM | ||
| Talk to Me | As The Structure Fails | G Major | 9 | 9B | 160 BPM | ||
| Too Good At Goodbyes | Archetypes Collide | C Major | 7 | 8B | 92 BPM | ||
| SUFFOCATE | Execution Day | A♭ Major | 9 | 4B | 137 BPM | ||
| Pure Evil | Like A Storm | C Major | 10 | 8B | 156 BPM | ||
| Over Now | American Sin | D Major | 9 | 10B | 109 BPM | ||
| Get It Right | Saul | G Minor | 9 | 6A | 112 BPM | ||
| I Can Feel Eternity | Census | D♭ Minor | 8 | 12A | 95 BPM | ||
| Fucking Easy | Sal3m | B Minor | 9 | 10A | 160 BPM | ||
| Inside My Head | Until I Wake | E Minor | 10 | 9A | 125 BPM | ||
| To Be Human | ALPHAMEGA | D♭ Major | 8 | 3B | 90 BPM | ||
| Would You Stay | DAMN NATION | A♭ Major | 9 | 4B | 108 BPM | ||
| Hellbent | Bridges Ablaze | C Minor | 8 | 5A | 120 BPM |