Mose Allison's ' "Seventh Son" was released on its scheduled release date, June 21, 1994. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Seventh Son's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 47 in Allison Wonderland: The Mose Allison Anthology by Mose Allison. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Seventh Son is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Seventh Son by Mose Allison is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 'Fore Day Rider | Jay McShann | A♭ Major | 2 | 4B | 96 BPM | ||
| Walking The Blues | Willie Dixon | F♯ Major | 2 | 2B | 117 BPM | ||
| Come On Over To My House | Julia Lee And Her Boyfriends | E Minor | 2 | 9A | 139 BPM | ||
| Things Ain't What They Used To Be | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 106 BPM | ||
| Brown Sugar | Freddie Roach | B♭ Major | 5 | 6B | 93 BPM | ||
| When I've Been Drinkin' | Jimmy Witherspoon | F Major | 1 | 7B | 71 BPM | ||
| Baby, Please Don't Go | Mose Allison | D Minor | 4 | 7A | 110 BPM | ||
| Groove's Groove - Rudy Van Gelder Remaster | Richard "Groove" Holmes | C Minor | 4 | 5A | 115 BPM | ||
| Volunteered Slavery | Rahsaan Roland Kirk | B♭ Major | 4 | 6B | 108 BPM | ||
| I'm Not Talking | Mose Allison | B♭ Major | 4 | 6B | 90 BPM | ||
| Sweet Honey Bee | Lee Morgan | F Minor | 5 | 4A | 126 BPM | ||
| I Ain't Got You | Jimmy Reed | A Major | 4 | 11B | 132 BPM | ||
| Echoes of Harlem | Roy Eldridge | F Minor | 2 | 4A | 82 BPM | ||
| Blow Up | James Taylor Quartet | B Major | 9 | 1B | 150 BPM | ||
| Yes We Can, Pt. 1 | Lee Dorsey | D Major | 6 | 10B | 172 BPM | ||
| African Hunch With A Boogie Beat | Memphis Slim, Willie Dixon | G Minor | 3 | 6A | 115 BPM | ||
| Hobo Joe | Johnny Coles | E♭ Major | 4 | 5B | 142 BPM | ||
| Tune Up | Jr. Walker & The All Stars | D Major | 8 | 10B | 102 BPM | ||
| Steal Away | Walter Wolfman Washington | B♭ Minor | 4 | 3A | 147 BPM | ||
| Hold On, I'm Coming - Remastered 1995 | Reuben Wilson | F Major | 7 | 7B | 125 BPM | ||
| I've Got Love If You Want It | Slim Harpo | E♭ Minor | 8 | 2A | 152 BPM | ||
| Get Out Of My Life Woman | Joe Williams | A♭ Minor | 5 | 1A | 169 BPM | ||
| Blues Waltz | Max Roach | E♭ Major | 6 | 5B | 179 BPM | ||
| Coal Miner | Nappy Brown | B♭ Minor | 5 | 3A | 119 BPM | ||
| Look Here | Mose Allison | D♭ Major | 2 | 3B | 179 BPM |