Pandit Amarnath Bhattacharjee's 'Raktabij Badh' had a release date set for September 2, 2009. This song appears to be safe for all ages as it is not explicit. The song is number 12 out of 17 in Chandipath by Pandit Amarnath Bhattacharjee. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Raktabij Badh is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Raktabij Badh by Pandit Amarnath Bhattacharjee is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atharvashirsh | Apurva Upadhyay | F Minor | 7 | 4A | 160 BPM | ||
| Sangacchadhwam - From "Shastry VS Shastry" | Ekorshi Sengupta | D♭ Major | 6 | 3B | 101 BPM | ||
| Vrindavan Ramya Sthana | Gour Gopāl Dās Adhikāri | B Minor | 7 | 10A | 86 BPM | ||
| Om Sham Shanicharaya Namah - 108 Jaap | Chand Kumar | A Minor | 6 | 8A | 110 BPM | ||
| Vishnumaya jag (Abhang) | Nagesh Adgaonkar | D Minor | 4 | 7A | 100 BPM | ||
| Saradindu Nivang Suvrang | Amarnath Bhattacharjee | A Minor | 7 | 8A | 147 BPM | ||
| Mata Kalika | Pandit Jasraj, Tripti Mukherjee | D♭ Major | 5 | 3B | 152 BPM | ||
| Dakshin Kalika Dhyan | Debasish Chakraborty | E♭ Minor | 5 | 2A | 78 BPM | ||
| Arunachala Siva Arunachala | Priya, Nandakishore, Kurush, Anaheeta | A♭ Major | 4 | 4B | 177 BPM | ||
| Veer Himachal Te Nikasi (Jinvani Stuti) | Ravindra Jain | F Major | 4 | 7B | 96 BPM | ||
| Ishvarah Param Krishna | Swarup Damodar Prabhu | C Minor | 2 | 5A | 95 BPM | ||
| Apon Kora Boddo Valo | Aditi Chakraborty, Bumpai Chakraborty, SAIKAT DUTTA | A Minor | 4 | 8A | 142 BPM | ||
| JAI JAI RADHA RAMAN | Trisha Parui | F♯ Major | 6 | 2B | 180 BPM | ||
| Ram Stuti - Ram Chandra Kripalu | Avinash Kumar | E Major | 3 | 12B | 105 BPM | ||
| Gajanana | Ehsaaas, Tanish Sharma, Marz | F Major | 4 | 7B | 164 BPM | ||
| Durga Saptashati- Keelak Stotram | Pt. Hari Nath Jha | C Major | 4 | 8B | 89 BPM | ||
| Argalastotram | Amarnath Bhattacharjee | C Major | 4 | 8B | 89 BPM | ||
| Parvati Panchakam | Sounds of Isha, Sarvshreshtha Mishra | D Minor | 4 | 7A | 135 BPM | ||
| Hanuman Vadvanal Stotra | Vajrang Aphale | A♭ Major | 4 | 4B | 84 BPM | ||
| Parvati Pati Har Har Shambhu (Shivashtakam) | BHAKTI SAROVAR | D♭ Major | 0 | 3B | 98 BPM | ||
| Leeladhar Bhaktvatsal | Ravindra Jain | F♯ Major | 7 | 2B | 92 BPM | ||
| Om Hanumate Namah 108 Times in 5 Minutes | Manjeera Ganguly, Everybody Productions, Ravi Khanna | D♭ Major | 7 | 3B | 81 BPM | ||
| Shree Shiv Panchakshram Stotram | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 5 | 5B | 125 BPM | ||
| Sarva Mangala | Ramakrishna Math, Swami Sarvagananda | D Major | 4 | 10B | 86 BPM | ||
| Hanuman Chalisa Power Full | FollowingTushar | C Major | 5 | 8B | 79 BPM |