Ravindra Jain's ' "Leeladhar Bhaktvatsal" was released on its scheduled release date, November 3, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Shri Krishna Govind Hare Murari". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Leeladhar Bhaktvatsal is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Leeladhar Bhaktvatsal by Ravindra Jain having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vah Shakti Hame | Asha Bhatt | C Major | 7 | 8B | 92 BPM | ||
| Hanuman Mantra | Sujit Shankar | G Major | 1 | 9B | 107 BPM | ||
| Mahakal Bhairav Ashtakam | Vidhi Sharma | A Major | 7 | 11B | 90 BPM | ||
| Shiv Tandav Stotram | रावण रचित शिव तांडव स्त्रोत | Hari cassettes | F♯ Major | 6 | 2B | 80 BPM | ||
| Datta Mala Mantra | Tejaswini Ingale | A♭ Major | 2 | 4B | 93 BPM | ||
| Parshvanath Stuti - Tumse Lagi Lagan | Arohi Anil Agarkar, Ragreshree Anil Agarkar | C Major | 3 | 8B | 125 BPM | ||
| Sukhi Base Sansar Sab | Shradhey Ajay Bhai Ji | E Major | 6 | 12B | 130 BPM | ||
| Shree Swami Samarth Jap - 108 Times | Anjali Marathe | F♯ Major | 1 | 2B | 35 BPM | ||
| Bolya Shree Hari Re | Anoopam Mission | E♭ Minor | 4 | 2A | 91 BPM | ||
| Parvati Stotra | Swastika Mishra | F Minor | 7 | 4A | 150 BPM | ||
| SANSO KI MALA PE SIMRU ME | Morari Bapu | A♭ Major | 6 | 4B | 126 BPM | ||
| Om Shree Guruve Namah - Jaap | Rajendra Jain | A♭ Major | 2 | 4B | 77 BPM | ||
| Anantha Premamrita Sai Anandadayi | Connecting Lives | B Minor | 5 | 10A | 131 BPM | ||
| Raaga Hindolam | Bhanumathi Narasimhan | B Major | 2 | 1B | 132 BPM | ||
| Ardhanarishwara Stotram | Ketan Patwardhan | B Major | 3 | 1B | 120 BPM | ||
| Mat Kar Maya Ko Abhimaan | Devi Chitralekhaji | E♭ Major | 7 | 5B | 104 BPM | ||
| Sri Sai Suprabatham | Usha Seturaman | F♯ Minor | 2 | 11A | 70 BPM | ||
| Chalo Bhole Baba Ke Dware | Hariharan | A♭ Major | 5 | 4B | 114 BPM | ||
| Aai Mataji Aarti - Original | Chhotu Singh Rawna, Sunita Swami | B Major | 10 | 1B | 105 BPM | ||
| Vashikaran Mantra | Vedic Vibrations | G Major | 1 | 9B | 86 BPM | ||
| Navratnam | Hiren Khakhi | A♭ Minor | 5 | 1A | 116 BPM | ||
| Siddha Kunjika Stotra Mantra | Shrikrishna Sawant | F Major | 2 | 7B | 143 BPM | ||
| Durga Stotram Devi Keelakam | SHRI PREM PRAKASH DUBEY | B Major | 6 | 1B | 156 BPM | ||
| Thal | Baps Swaminarayan Sanstha | D♭ Major | 3 | 3B | 110 BPM | ||
| Gaytri Mantra | Shahnaaz Akhtar | D♭ Minor | 5 | 12A | 83 BPM |